Jocelyn Pook

Proms 2019: Jocelyn Pook – You Need to Listen to Us; Alissa Firsova – Red Fox; Ryan Wigglesworth – Piano Concerto (World Premières)

Posted on by 5:4 in Festivals, Premières | 2 Comments

A few weeks back, when critiquing Hans Zimmer’s short work Earth, i almost held back from writing about the piece as it was taking place in a concert for children. i couldn’t help wondering to what extent it was fair to hold up something so intentionally superficial to critical scrutiny. Yet why should music composed with children in mind feel the need to resort to superficiality? Isn’t that making some fairly hefty assumptions about what children can engage with, enjoy and understand? In the case of Zimmer, the question is essentially moot, as Earth didn’t make any concessions at all to the children at the concert – except insofar as literally everything he’s composed in recent years has been an abject concession: to creativity, originality and imagination. Perhaps that suggests his film music makes that same assumption about what adults can engage with, enjoy and understand – indeed, perhaps it compounds its fundamental problems by making this assumption about children and then seeking to treat adults in the same way. But i’m digressing; that’s a discussion for another time; suffice it to say that, at his Proms appearance, Zimmer just sounded like Zimmer, regardless of who happened to be in the room, young or old.

Yet these same questions raised their head again at the Proms last Sunday, at an event called ‘Lost Words’, another concert aimed primarily at children (and/or treating adults like children). The concert was a uniquely bizarre mélange of cloying, alarmist, nostalgic propagandising about the environment, nature and language. It was a performance as difficult to negotiate as it was to stomach, including two world premières, by Jocelyn Pook and Alissa Firsova, performed by the National Youth Choir of Great Britain with the Southbank Sinfonia, conducted by Jessica Cottis.

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Mixtape #43 : International Women’s Day

Posted on by 5:4 in Mixtapes | 1 Comment

As today is International Women’s Day, for my March mixtape i’ve allowed myself to indulge in a celebration of fabulous music by women composers and musicians. Compared to most of my mixtapes, this was one of the more difficult to create, for two reasons. First, because the shortlist of music i was keen to include wasn’t remotely short, but simply enormous (137 individual tracks, lasting a little over 12 hours), and second, because deciding which of them to omit was tough in the extreme. In the end, though, i found an interesting and, i hope, imaginative way of navigating through such a bewilderingly diverse collection of music. There’s no particular structure to the mix as a whole this time, as i was simply allowing myself to be drawn spontaneously from piece to piece, sometimes smoothly, sometimes breaking things up with non sequiturs.

There’s a not quite even split between instrumental and vocal music, though both of these terms are interpreted pretty eclectically. The latter range across the spectrum of sentiments, from poignant and painful (Brika, Laura Sheeran, FKA Twigs, Galina Grigorjeva, Lori Cullen) to passionate and elated (Anna von Hausswolf, Cocteau Twins, Princess Chelsea, Sleigh Bells, Jackie Trent, Ari Mason, Vanbot, Carice van Houten, Peaches, Trio Mediaeval, Ladyhawke), both of widely varying orders of magnitude, alongside the more reflective (EmikaRóisín Murphy, Demen, Zola Jesus, Nynke Laverman, OY, ionnalee, Robyn) and downright demented (Jennifer Walshe – who else?).

As for the instrumental music, not all of it is non-vocal: the pieces by Gazelle Twin, Lauren Redhead and Annette Vande Gorne occupy an electroacoustic place in between, each utilising voices in different ways. As for the rest, perhaps the most applicable continuum is between strains of agitation and disquiet (Jocelyn Pook, Kristin Øhrn Dyrud, AGF, Copeland, Zeena Parkins, Elizabeth Anderson, Natasha Barrett, Mica Levi, Wendy Bevan, Clara Iannotta, Pauline Oliveros, Rose Dodd, Vanessa Rossetto, Chaya Czernowin, Rebecca Saunders, Arlene Sierra, Galina Ustvolskaya, Line Katcho, Milica Djordjević) and calmer, more measured music (Olga Neuwirth, Linda Catlin Smith, Anna Þordvaldsdóttir, Motion Sickness of Time Travel, Chiyoko Szlavnics, Unsuk Chin, Christina VantzouÉliane Radigue, Delia Derbyshire, Isnaj Dui, Susanne Sundfør).

Elizabeth Parker‘s radiophonic cheerfulness doesn’t qualify as either of those, but then pretty much none of the 60 wonderful pieces i’ve featured on this mix fit neatly within one particular box or label: their inventiveness is boundary-challenging, which makes them ideal for a day like today. Apropos: i’ve ended the mix with a track by Frida Sundemo that beautifully captures a sense of optimism, which i think is also ideal for this particular day; the song’s theme is love, yet its emphasis on ‘flashbacks and futures’ seems an apt phrase for the confident, forward-looking attitude exhibited by all of this music, and which this mixtape celebrates.

The mixtape can be downloaded and streamed below; here’s the tracklisting in full, together with links to obtain each of the albums: Read more

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