Jóhann Jóhannsson

Mix Tape #1 : Late Night

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There was a discussion on Radio 4 yesterday, about a possible link between creativity and the late night. i have no opinion on this, except insofar as i have had some highly productive late night composing sessions. A lot of my listening to music takes place at night, however, and i think it’s a very special time indeed to engage with it. To that end, and just for fun, i’ve compiled my own little “mix tape” containing a number of the things i’m listening to at the moment (some old, some new; many mentioned in my posts over the last few months), tracks which heighten in intensity when listened to (preferably, very) late at night. 68 minutes of wonder, seamlessly stitched together for your pleasure…

Here’s the full tracklisting: Read more

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From the ridiculous (via noise) to the sublime

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When any series comes to an end, it’s an emotional experience, and so it was yesterday when the last two CDs in Andrew Liles‘ 12-CD Vortex Vault series dropped through my letterbox. Black Pool and Black End mark the conclusion of an amazingly prodigious cycle of discs, released once a month, beginning at the end of 2006. Andrew Liles’ music was one of my biggest discoveries from last year, recommended to me by the equally remarkable Matt Waldron (irr. app. (ext.)). There’s a fascinating mix of both the beautiful and the disturbing in his music, with highly evocative (and sometimes, very funny) titles, including “Bamboo Sheep”, “An Unspoken Narrative Regarding Institutional Abuse”, “Ghost Breath – A Lament For A Bear Cub Called Медвежонок”, “Taking Bumblebee to France for the Afternoon”, “36-23-33½” and “Matthew Doesn’t Like Bananas in his Ice Cream”. These titles are often frivolous, but sometimes rather more deliberate: “The Jean Michel and Vangelis Taboo Liaison”, for example, explores the kinds of sounds beloved of those two “composers”. He’s capable of real gravitas too, though, and the final piece on Black End is like an electroacoustic/symphonic finale to the series (quixotically broken up into 94 tracks!). Read more

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