Kenneth Kirschner

Indeterminate, interactive son et lumière: Kenneth Kirschner & Joshue Ott’s Variant

Posted on by 5:4 in New releases, Software | 3 Comments

Interesting things are afoot for those with a penchant for the indeterminate. Composer Kenneth Kirschner has teamed up with digital visual artist Joshue Ott to create a trio of audiovisual apps, under the umbrella title Variant, that enable one to explore in different ways indeterminate music and visuals in a stimulating and strikingly beautiful way. In terms of the nature of its user interaction, Variant bears a resemblance to Brian Eno & Peter Chivers’ suite of generative music apps, but that’s where the similarities end: Kirschner’s music doesn’t seek to establish a kind of saccharine stupor, and Ott’s visuals don’t resemble something manufactured by Fisher-Price.

Kirschner has for a long time been interested in indeterminacy, both in terms of the act of composition itself (often involving chance procedures) as well as the way events take place over time. It permeates much of his output, but the seed for Variant can perhaps be located most specifically in the collection of pieces Kirschner composed from 2004-5, which, unlike the rest of his output, comprised not a standalone recording but instead a collection of sound fragments ‘performed’ via a web browser, and which would play continuously, different on each occasion, until stopped by the listener. (A detailed examination of these pieces can be found in my essay ‘Determined/Indeterminate’ in the free ebook Imperfect Forms, published by Tokafi.) These indeterminate pieces used a very simple set of rules to determine basic things like superimposing layers of sound on top of each other, but the process was otherwise essentially random.
Read more


Imperfect Forms: The Music of Kenneth Kirschner

Posted on by 5:4 in Announcements | Leave a comment

On various occasions in the past, i’ve written about the music of American experimental composer Kenneth Kirschner. His work, all electronic and available free via his website, is endlessly fascinating, exploring a wide and unexpected variety of sonic shapes and timbres within formal contexts that take a radical approach (informed in part by the music of Feldman) to notions of narrative and development, with a tendency toward indeterminate—or at least, perceptually indeterminate—structures. Kirschner’s considerable output deserves much greater exposure and engagement than it has hitherto received, which makes yesterday’s release of Imperfect Forms: The Music of Kenneth Kirschner, a multimedia project celebrating and exploring his music, extremely welcome.

There is a 188-page ebook comprising a selection of essays, articles and interviews (two contributed by me), with an accompanying 4½-hour digital album containing responses to and remixes of Kirschner’s music by an eclectic cluster of composers—Tom Hodge, Ambrose Field, Maps and Diagrams, Christoph Berg, Marco Oppedisano, Adam Barringer, Orphax, Yukitomo Hamasaki, Monty Adkins, Erdem Helvacioglu, Billy Gomberg, Tomas Phillips, Shinkei, Stefan Goldmann, Anne Guthrie, Dirk Serries, L’Eix, Stephen Vitiello, Tobias Reber, Steinbrüchel—plus an additional software-based indeterminate composition created by myself. Further to this are a small number of videos by Sawako, Monty Adkins & Julio D’Escrivan, Josh Ott, Andy Graydon and Molly Sheridan.

The project is published by Tokafi, and in keeping with Kirschner’s own approach to releasing his work, the entire kit and kaboodle are available free of charge via the Tokafi bandcamp page (of course, feel free to pay something if you can).


Mix Tape #30 : Prime Numbers

Posted on by 5:4 in Mix Tapes | Leave a comment

For the new 5:4 Mix Tape, i’m not so much exploring a theme as a conceit. Mathematics has been a recurring feature of both my compositional & recreational activities lately, so for this new mix tape i’ve compiled a selection of music the titles of which incorporate the first 21 prime numbers. It was, i should say, quite a challenge, but the result is, i think, a highly stimulating mixture of exquisite non-sequiturs & unexpected aural connections. The mix is in part characterised by the presence of line, from a host of oblique angles, including jazz (Tartar Lamb II), avant-garde (John Zorn), math rock (Three Trapped Tigers), neo-Wendy Carlos retrosynthtronics (Laibach), indeterminacy (Kenneth Kirschner), counterpoint in extremis (Conlon Nancarrow), bassline-driven electronica (Last Step), post-romantic ecclesiastical dreaminess (Marcel Dupré) & lo-fi intimacy (Kid Koala). Elsewhere texture predominates, either with a harmonic underpinning (Ochre, Celer, Nine Inch Nails (but only just), Dick Mills, V/Vm) or from a percussive/glitch/noise perspective (At Jennie Richie, Ryoji Ikeda, Paul D. Miller, Bass Communion, @c). Read more

Tags: , , , , , , , , , , , , , , , , , , , ,

Mix Tape #29 : Best Albums of 2013

Posted on by 5:4 in Best of the Year, Mix Tapes | 2 Comments

A very HAPPY NEW YEAR to you all!

i want to say a big thank you to everyone who’s followed 5:4 in the last year, & especially to those of you who’ve posted comments & tweets in response. There are lots of exciting things planned for 2014, so watch this space.

In the meantime, continuing the 5:4 annual tradition, here’s the new mix tape, celebrating the music in my Best Albums of the Year list. A little something from each album, seamlessly stitched together & lasting a little under 3 hours. Enjoy!—& if you do enjoy what you hear, links to purchase the music can be found on the previous two days’ articles.

Here’s the tracklisting in full:

Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2013 (Part 1)

Posted on by 5:4 in Best of the Year | 2 Comments

Continuing my round-up of the best music of the year, here’s the first part of the most outstanding albums of 2013; part two will be coming tomorrow. Read more

Tags: , , , , , , , , , , , , , , , , , , , ,

Best EPs of 2013

Posted on by 5:4 in Best of the Year | Leave a comment

So, having listened to no fewer than 261 EPs & albums released this year, it’s time to distil that listening into the annual Best of the Year lists. As always, we’ll start with the ten most exceptional EPs. Read more

Tags: , , , , , , , , ,

Mix Tape #25 : Best Albums of 2012

Posted on by 5:4 in Best of the Year, Mix Tapes | 7 Comments


Today marks 5:4‘s fifth anniversary, & so i’d like to take this opportunity to thank all of you who regularly read, share & respond to the articles & music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time & attention. i very much hope that 5:4 can grow & become even more interesting & useful in the next five years; all comments, criticisms, suggestions & other feedback is always very warmly encouraged.

But to return to the present, & to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft & very loud indeed. As ever, if you like what you hear in the mix, please support the artists & buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, & so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,