Ladytron

Mixtape #13 : Vox Femina

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Today finds me feeling not at all well, so i’ve kept myself occupied making a new mixtape, with a theme i’ve wanted to explore for a while: female vocalists. At a guess, i’d say i listen to more female singers than male, and the content of this mix reflects a combination of artists with whom i’ve become familiar only recently, and others i’ve loved for many years.

The wonderfully-named Scout Niblett (who sounds as though she ought to stand four feet tall) takes a refreshingly sparse approach to her brand of rock; she also plays both drums and guitar, and her songs have a basic, elemental quality to them; that’s certainly the case in “Hot to Death”, a song that moves abruptly from soft fragility to raging fury. Peaches needs no introduction; her hypersexual songs vary wildly in their ratio of credibility to crassness, but 2003’s Fatherfucker is, i think, her best achievement, with the claustrophobic (and, for once, sex-absent) “Operate” its standout track. Better known under her initials AGF, Antye Greie-Fuchs brings a demonstrably poetic sensibility to her electronic experiments; her most recent release, Dance Floor Drachen, available free (link below), contains some of her most rhythmically engaging work to date; “TURN IMPOTENT” is enhanced further with stomach-wobbling bass pulses. “Hyperballad” remains one of Björk’s best songs, as well as one of her most remixed; this version is courageously simple, eschewing almost any kind of rhythmic movement, allowing the powerful words to attain a hypnotic vividness. No less hypnotic is Fovea Hex‘s Neither Speak Nor Remain Silent trilogy, which must rank as one of the most imaginative song-sequences ever made. “We Sleep You Bloom” palpably betrays the handiwork of Hafler Trio’s Andrew M. McKenzie underscoring Clodagh Simonds vocals; it’s simply exquisite at every moment. Occupying slightly darker but equally dreamy territory is Julee Cruise, the singer particularly beloved of David Lynch; her distinctive voice (with barely a trace of vibrato) is as integral to Lynch’s Twin Peaks saga as Badalamenti’s dark string writing. Her first album, Floating into the Night, dates from the same time as Twin Peaks, and could well be thought of as an offshoot from the series; “The Swan” is the album’s most poignant moment, the melancholic harmonies left without resolution. Deeper melancholy still from Daisy Chapman, whose new album, The Green-Eyed, is launched at the end of this week (more about this soon). “Words in Dirt” is one of her most subtly layered songs, the simple piano writing enveloped in floating additional voices, with Daisy’s own powerful vocals at the core. Read more

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Mixtape #9 : Best of 2008

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Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mixtape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2008

Posted on by 5:4 in Best of the Year | 8 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, 141 of them were released in 2008), but also because i’m conscious of a number of albums that i haven’t yet listened to, and which could well appear in this list. Anyhow, all lists of this kind are provisional, so as things stand today, here are the 5:4 Best Albums of 2008: Read more

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