Laura Bowler

Valentine Weekend: Laura Bowler – Irresistible Demands of the Flesh (World Première)

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To bring this inverted Valentine Weekend to an end, i’m turning from the intimacy of duets to the large-scale, inflamed overload of the orchestra. Laura Bowler‘s Irresistible Demands of the Flesh is an audacious exploration in sound of the theatrical tenets of Antonin Artaud, specifically the desire to push performers to a point of extremity in order to unlock something fundamentally true. The piece (the title of which appears to be from an entry about Michel de Ghelderode in The Cambridge Guide to Theatre) in part achieves this through an avoidance of conventional notions of idiomaticism and performance, seeking to place the members of the orchestra emphatically outside their traditional comfort zones. It does much the same thing for the listener, coming across not so much the product of an act of composition as a 12-minute slab of spontaneously seething organic sound, elemental and overwhelming. Read more

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