Luís Salgueiro

Outside-In: Luís Salgueiro

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This week’s addition to the Outside-In field recording project comes from Portuguese composer Luís Salgueiro. Here’s his introduction to the recording:

In February, I found myself working a week in Stuttgart. This came on the tail end of an intense period of work and travel — and it was, in fact, the last one since, as by that time Baden-Württemberg already registered cases of COVID-19 and the country would soon go into lockdown.

This was recorded early in the morning, as the sun rose over the Oberer Schloßgarten, between the Staatsoper and the Landtag. You hear one early-morning jogger and a smattering of distant chatter, but the soundscape is mostly dominated by the birds and other animals that nest and frolic around the Eckensee. The city had not yet awoken; this window records a slice of the gradual reintroduction of the human. And it is from this situation that the curious dramaturgy of the recording (which is unedited in its temporal unfolding) emerges: these two layers coexist not in the other’s negative space — nor is the human here drowning out the animal — but their utterances seem to cluster together in time.

This soundscape was recorded on a Zoom H2n with a Primo ECM172 omni microphone.

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