Lydia Lunch

Mixtape #58 : Virus

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Sometimes deciding a theme for a mixtape can be a time-consuming business – but not this time. If anything, not making viruses the theme for the new 5:4 mixtape would just feel like being wilfully contrary. So – a couple of weeks earlier than scheduled – here it is, a tour through some of my favourites that feel more than a little pertinent to the remarkable times we’re currently experiencing. Not surprisingly with a topic such as this, a lot of the music is serious in tone, though the way this is articulated varies widely. Many explore a quiet, often unsettlingly (in)tense simmering (Nine Inch NailsJohn Oswald, Bass CommunionVykintas Baltakas, The Noisettes, Angelo Badalamenti & David Lynch), occasionally featuring hot surges (Brian McOmber, Cat Temper, Ramin Djawadi, SaffronKeira, Toru Takemitsu, Necro Deathmort, Andrew Liles, Daphne Oram, Paul Haslinger). Some go beyond these limitations into ferocious incandescence (Man Without Country, Pan Sonic, Si Begg, Reza Solatipour), the complete opposite, eerie calm (Coleclough & Murmer, Ulrich Schnauss, Justin Hurwitz), or pounding, edgy regularity (Joseph Trapanese, Aria Prayogi & Fajar Yuskemal, Picture Palace Music). The rest channel their sentiments into fierce, forthright vocals (Björk, Chelsea Wolfe, Crystal Castles, Moderat, Lydia Lunch, Cabaret Voltaire, Hecq with Nongenetic). A short jingle from Raymond Scott is a closing tongue-in-cheek moment that i hope is forgivable in these trying circumstances.

Two hours of pandemically-related tracks and tropes that are, in a multitude of ways and in the absolute best sense, highly infectious and hard to shake off. Below is the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud.

These are difficult times we’re living through at the moment. i sincerely hope you’re all keeping as safe, fit and healthy as you can, and that you’re taking advantage of any imposed isolation or downtime to explore lots of new music. Best wishes to all of you, wherever you are. Read more

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Mixtape #8 : Versions

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After far too long a hiatus, here’s a new mixtape, this time exploring some of my favourite cover versions. To be clear, none of these tracks are what i’d call ‘remixes’, which i think of as a separate, quite different discipline; these are good ol’-fashioned covers of some great original songs.

t.A.T.u.’s version of The Smiths‘ “How Soon Is Now?” stands out on their first album, 200Km/h in the Wrong Lane, partly because it’s the only cover version, but more because of how utterly good it is. While i always was a fan of The Smiths, i’d actually far prefer to listen to t.A.T.u.’s rendition of it, their vocals somewhat less restrained than Morrissey’s. “Here’s Where The Story Ends” has been covered by many artists, and i’ve included the most recent, by Tin Tin Out featuring Shelley Nelson. Their version of the song is rather passionless, but this remix of it (the “Canny Remix”) saves the day, a dance version that shows off Nelson’s superb voice admirably. An old classic, “Blue Moon”, is given a fantastic big band treatment by Cybill Shepherd, taken from the soundtrack to the 80s TV series, Moonlighting. Shepherd’s voice is simply astounding, in what is my favourite version of this timeless song. Tori Amos makes several appearances in this mix, simply because she takes a more imaginative approach to her covers than any artist i’ve come across, always presenting the song in a new light, teasing out new connotations from the original. First up is her utterly deconstructed version of 10cc‘s epic ballad, “I’m Not In Love”, taken from her album of covers, Strange Little Girls. All sentimentality has been stripped, the music standing bare and heavy, with a palpable sense of menace; it’s beautiful and gently horrifying all at the same time. Read more

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