Matmos

The Isolation Mixtapes : M

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It’s week 13 in my series of Isolation Mixtapes, which means we’re now halfway through the alphabet. When i began this series it seemed possible that the prospect of 26 mixtapes, unfolding weekly over the course of six months, might well be in keeping with the length of time of lockdown. As things stand now the lockdown, and its associated isolation, is slowly becoming less of a reality in the UK – and even more so across Europe – though ‘normality’ (however we end up (re)defining that) remains somewhere in the future, particularly for music and the arts. So my plan is to continue through the latter half of the alphabet in the hope that, by the time we reach Z, all of our lives might be a lot more genuinely normalised, and that enforced isolation is becoming a memory.

To that end, here’s this week’s mixtape, devoted to composers, groups and artists beginning with the letter M. The first half has an inadvertent focus on song, while the second half becomes more abstract and atmospheric. As always there are two tracks for each of the years 2010 to 2019, presented in chronological order.

Here’s the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

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Björk – Crave (Odd Duck Mix); Hearts & Bones; Undone

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In my most recent mixtape, exploring the noble art of the remix, i included a track by Björk – ‘Crave (Odd Duck Mix)’ – that i mentioned had been made available as a download back in 2001, but which was no longer available. There were in fact four tracks that Björk released as downloads at that time, and since three of them have been unavailable for over a decade, i thought it would be interesting to revisit them.

It’s worth saying at the outset that throughout her career Björk has been more responsible than most musicians for cultivating an extensive catalogue of remixes of her songs. i began collecting her work in 1993, the year she began her solo career (having left the Sugarcubes), and each successive single felt like a substantial release, usually coming in the form of two or sometimes three CDs (later including videotapes or DVDs) containing a mixture of additional songs and remixes of the title track. The number of these remixes was at times considerable – one of her earliest singles, ‘Big Time Sensuality’ (1993), had as many as seven – but beyond this, these singles would also frequently include new renditions of other songs: ‘Violently Happy’ (1994) had acoustic versions of ‘Anchor Song’, ‘Come To Me’ and ‘Human Behaviour’, ‘Isobel’ (1995) featured a harpsichord version of ‘Venus as a Boy’, while ‘It’s Oh So Quiet’ (1995) – one of Björk’s only singles never to have been remixed – included three versions of ‘Hyperballad’, a song that wouldn’t be released as a single until the following year.

Björk’s predilection for remixes has remained consistent, reaching a peak during the late 1990s (the Homogenic period) when ‘Bachelorette’ (1997) and ‘Alarm Call’ (1998) were treated to ten remixes each. More recently, 2011’s Biophilia was supplemented with a series of eight singles collectively titled Biophilia Remixes containing a total of 17 remixes, and while there are far fewer of them, a handful of remixes have been released to accompany her last two singles taken from Utopia (2017), ‘Blissing Me’ and ‘Arisen My Senses’. Furthermore, in addition to singles Björk has also regularly released anthologies of remixes, including The Best Mixes from the Album Debut for All the People Who Don’t Buy White Labels (1994), Telegram (1996), Voltaïc (2009) and Bastards (2012). Remixes are clearly a logical extension of the restless imagination and urge to collaborate that drive Björk’s creativity. Read more

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Mixtape #37 : Best Albums of 2016

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HAPPY NEW YEAR!

i’m starting 2017 in the usual way, with a mixtape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mixtape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mixtape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Here they are, then: the best of the best of 2016, each and every one of them packed full of the rarest imagination, invention and ingenuity. i can’t recommend them highly enough.
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Mixtape #9 : Best of 2008

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Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mixtape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2008

Posted on by 5:4 in Best of the Year | 8 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, 141 of them were released in 2008), but also because i’m conscious of a number of albums that i haven’t yet listened to, and which could well appear in this list. Anyhow, all lists of this kind are provisional, so as things stand today, here are the 5:4 Best Albums of 2008: Read more

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