Mauro Lanza

HCMF 2015: Richard Uttley, United Instruments of Lucilin

Posted on by 5:4 in Concerts, HCMF, Premières | 6 Comments

It’s perhaps a little early, following just two concerts yesterday evening, to start describing the characteristics that typify this year’s Huddersfield Contemporary Music Festival. But based on these, and considering the featured composer is Jürg Frey, it would seem that ‘delicacy’ is going to be one of this year’s prevailing themes. In saying it dominated the piano recital given by local hero Richard Uttley, that’s as true of the performer as it was of the music being performed. i wouldn’t use this term of many pianists but, both from a purely aural perspective as well as watching him perform, Uttley comes across like a ballet dancer. His movements are graceful, lyrical, acrobatic; keys are sprung from, landed upon, tickled, urged, encouraged, coaxed—but rarely, it seems to me, merely struck.
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HCMF 2013: Séverine Ballon

Posted on by 5:4 in Concerts, HCMF | 1 Comment

Today’s first concert was given by French cellist Séverine Ballon. Her recital comprised UK premières by Hèctor Parra and Mauro Lanza and a world première by Rebecca Saunders, together with a classic of the repertoire, James Dillon‘s Parjanya-Vata, composed in 1981. It was especially good to hear this again; it’s a long time since i have, and Ballon’s spectacularly fiery commitment to the work’s whirlwind climax left me wondering why i’d left it so long. Hèctor Parra’s electroacoustic tentatives de réalité is an exercise in frenetic action. Parra’s programme notes always go to great lengths to inform as to the extra-musical points of origin, but on this occasion intention and result seemed insufficiently interconnected. In short, one never felt as involved as Ballon clearly was. The material establishes a kind of monotony that wasn’t especially helped either by the nature of the electroacoustic interaction—cause and effect a-go-go—or by its sonic fingerprint, which in many ways felt like an amalgam or catalogue of a multitude of all too familiar tried and tested (and tired) ideas. Read more

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