Michael Tippett

Proms 2013: John Woolrich / Tansy Davies – Variations on an Elizabethan Theme (World Premières)

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Last Saturday’s Proms matinee focused on a work created 60 years ago to mark the Queen’s coronation. Instigated by Benjamin Britten, he and five other composers each wrote a variation for string orchestra based on the Irish tune ‘Sellenger’s Round’; titled Variations on an Elizabethan Theme, the complete suite was given its first performance in June 1953 in a concert marking the coronation at that year’s Aldeburgh Festival. For last Saturday’s Proms performance, given by the English Chamber Orchestra conducted by Paul Watkins, the suite was expanded with two additional variations, composed by John Woolrich and Tansy Davies. Read more

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Mixtape #11 : Joy

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Following a hectic Easter weekend, and a few days spent in Cambridge, here’s a new mixtape, the theme this time being joy. To start, a wonderful jazz-folk fusion number from Yellowjackets; Greenhouse is an album i’ve loved for years, and “Freda” is one of its most exciting tracks. It’s followed by the last movement from one of Michael Tippett‘s earliest mature compositions; strident and full of momentum, it briefly allows a moment or two of wistful reflection before culminating in an elated dance. Freezepop‘s latest album remains their one consistent release, and “Ninja of Love” is one of its most infectious songs. Continuing the pace like a runaway train is the opening track from Squarepusher‘s brilliant 2006 album Hello Everything, “Hello Meow”, filled with retro synths and riffs. Each album by Deerhoof has its share of instrumentals, and “Rainbow Silhouette Of The Milky Rain” bludgeons its experimental way along in rip-roaring fashion. The mix now enters a gentler mode, beginning with Imogen Heap‘s ravishing track “Just For Now”, all glorious (if realistic) optimism. And then Björk, who has surely composed some of the most unreservedly happy songs ever; “All Is Full Of Love” is here given extra treatment in the form of beats and strings, becoming if anything, more ecstatic than the original version. The “Communion” from Tournemire‘s Easter music shows him at his mystical best, placing the plainsong themes into complex, shimmering chords that hover and float in rapture. Julee Cruise, bless her, only knows extremes: her music is either abjectly mournful (“The Dying Swan”) or caught up in ecstasy, as she is here, in one of her most well-known songs. Read more

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