Monty Adkins

Mix Tape #25 : Best Albums of 2012

Posted on by 5:4 in Best of the Year, Mix Tapes | 7 Comments

HAPPY NEW YEAR TO YOU ALL!

Today marks 5:4‘s fifth anniversary, & so i’d like to take this opportunity to thank all of you who regularly read, share & respond to the articles & music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time & attention. i very much hope that 5:4 can grow & become even more interesting & useful in the next five years; all comments, criticisms, suggestions & other feedback is always very warmly encouraged.

But to return to the present, & to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft & very loud indeed. As ever, if you like what you hear in the mix, please support the artists & buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, & so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

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Best Albums of 2012 (Part 2)

Posted on by 5:4 in Best of the Year, CD reviews | 1 Comment

The lists reduce the vastness into controllable sizes, into the size of things that can fit into our mind, where they can expand again to the size of everything. The list is the way of fitting everything in one place at one time, so that we can take it with us, so that we can fit it all inside a microchip, a chip we can then fit inside our soul. … The list is a code for everything we are, the list is a diagram, sometimes extremely slight and incomplete, sometimes unbelievably deep and complete, of eternity.
(Paul Morley, Words and Music)

Here we go, then, with the absolute pinnacle of this year’s albums, every one of them essential listening. Read more

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Magical, jewel-like: Monty Adkins – Four Shibusa

Posted on by 5:4 in CD reviews | 1 Comment

In my 2011 Best Albums of the Year list, in third place was an album that remains one of the best examples of ambient music i’ve had the pleasure to hear: Monty AdkinsFragile.Flicker.Fragment. Describing it as ‘ambient’ is, in some ways, to do it a disservice, as—unlike most deliberately ambient music—it’s a lot more than just that. i described it then as “ambient by accident”, & the same could be said for Adkins’ latest album, Four Shibusa, released on the excellent label Audiobulb Records earlier this year.

The term ‘shibusa‘ is Japanese, & connotes the qualities of a distinct aesthetic outlook emphasising characteristics that Adkins summarises as “simplicity, implicitness, modesty, tranquillity, naturalness, normalcy & imperfection”. The four works presented here were part of a project in collaboration with artist Pip Dickens, in which she & Adkins created an exhibition of work, Shibusa—Extracting Beauty, reflecting upon & exploring aspects of the other’s art form. In the exhibition’s accompanying book, Adkins outlines “four fundamental models” that formed the basis of their work:

the smudging & blushing of colours & motifs into one another […];
the layering of different patterns on top of one another & allowing certain aspects of one or another layer to come to the fore at determined points;
repetitive patterns that are imperfect & are interrupted […]; the repetition here is not always exact, reflecting the human hand rather than the use of the machine […];
interlocking linear motifs that are clear in their group trajectory but remain independent lines.

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