music theatre

Cheltenham Music Festival 2018: The Strings of the BBC NOW; Hansel & Gretel

Posted on by 5:4 in Concerts | Leave a comment

Sitting in Cheltenham Town Hall last Saturday for a concert of music by the strings of the BBC National Orchestra of Wales, was a boilingly hot, practically overheating, experience. This was nothing whatsoever to do with the endless waves of sunshine with which we’re currently being treated, and everything to do with the première to which we were being subjected, Richard Blackford’s Kalon for string quartet and string orchestra. Exasperation had begun to set in even before Martyn Brabbins had started to conduct the piece, due to the fact that the performance was preceded by a 20-minute – let me say that again: 20-minute – introduction to the piece by Blackford in ‘conversation’ with Christopher Cook. In reality, it wasn’t a conversation at all, since Blackford responded to each of Cook’s supposedly spontaneous questions with a lengthy pre-written script that he cleaved to as if his life depended on it. It was one of the most excruciatingly cringeworthy bits of narcissistic verbiage i have ever heard, in which anyone who didn’t know better would be forgiven for thinking Blackford was the first person in history to have composed music in two tempi simultaneously (gasp!). His mixture of self-aggrandising pomposity and stilted humour was agonising to sit through, and since i’m not elderly, infirm or retarded, i could hardly have objected more passionately to this kind of overweening spoon-feeding. i honestly felt like asking him if he’d like to wipe my mouth when he’d finished. Read more

Tags: , , , ,

Purcell Room, London: Tim Benjamin and Francis Poulenc

Posted on by 5:4 in Concerts, Premières | 1 Comment

Last Thursday i journeyed to London for a small-scale concert at the Purcell Room. On paper, the concert was being given by the ensemble Radius, but in practice only the pianist was present, supporting a quartet of singers. i’ll admit to being disappointed about that; i’ve not encountered Radius before, so it was frustrating to come away still having not encountered them. Two pieces were performed: Poulenc’s one-act opera La Voix Humaine preceded by the UK première of a new work by Radius’ director Tim Benjamin titled Le Gâteau d’Anniversaire.

Benjamin’s work can’t, in any accurate sense, be called an opera, comprising a single scene of barely 30 minutes’ duration. What Benjamin has produced, in fact, is akin more to a dramatic scena, except that it’s intended to be funny, so i guess we should rightly call it a dramatic scena buffa (or something like that). What unfolds is a dream sequence in which the protagonist, Louis, a baker by trade, receives visions from a pair of women who, at length, coax, encourage and downright insist that the reluctant Louis disregard bread-making for a time and bake them a cake. In the epilogue, Louis is awakened by his sisters, only to be reminded it’s their birthday, and that he’d agreed to provide his services to mark the occasion; no resistance from Louis this time, and the preparations begin. That’s it; except that Tim Benjamin’s lengthy programme note expounds the notion that the work is a “theatrical investigation” into “the oppression of, and liberation from, accepted convention and custom” as well as “the power of the subconscious to influence the conscious self through the medium of dreams”. Read more

Tags: , , , ,