Nigeria

Charles Uzor – mimicri/ pieces with tape

Posted on by 5:4 in CD/Digital releases | Leave a comment

Another interesting release from the NEOS label is mimicri/ pieces with tape, a double album featuring nine works by Nigerian-born composer Charles Uzor. As the name suggests, most of the music is electroacoustic, together with a chamber piece and two works for choir, and the majority of them are relatively recent, dating from within the last five years. Uzor was an entirely new name to me, and while this album is helpful as a portrait of the composer’s outlook and aesthetic, if anything that portrait is an intriguingly multifaceted one, in which connections between the different works are far from obvious. Perhaps it would be fair to characterise Uzor’s music as ‘consistently inconsistent’.

The opening work on the album is 2016’s Nri/ mimicri, in which an ondes martenot and percussion quartet coexist – or, rather, co-behave – in a way that could be described as ‘meta-ambient‘. It’s an unhurried atmosphere combining small individual attacks from the percussion with more extended sounds from the ondes (both sustained pitches and glissandi), within a kind of ‘open’ ambiance articulated by gentle granular noise on the tape. The piece coalesces into more focused episodes where there’s an overt sense of dialogue, yet as the work’s half-hour duration progresses the broader context suggests that these kinds of action – and others, such as prominent passages from vibraphone and marimba – are all elements that can be essentially switched on and off. It leads to a beautiful form of steady state where small-scale interest is always balanced against large-scale equilibrium, though it’s important to stress the small-scale interest is not merely striking but at times surprising, such as the introduction of previously unheard birdsong into the texture just a few minutes before the end. Read more

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