noise

Free internet music: Brothomstates, Stephan Mathieu

Posted on by 5:4 in Free internet music, Thematic series | Leave a comment

The next recommendations in my series looking at free internet music are a pair of pieces exploring extremes of computer-mangled audio. The first is a new release from Finnish composer Lassi Nikko, better known as Brothomstates, and even writing his name in the context of a new release – something i never thought i’d be able to do – has immediately put a big smile back on my face. i’ve been a Brothomstates fan for many, many years; since 2001 in fact, when Claro – a gloriously euphoric blend of ambient, electronica and IDM – was released on the Warp label. That in turn led to me plundering his back catalogue, both his 1998 self-released debut album Kobn-Tich-Ey (apparently one of the earliest ever MP3 album releases, which in many respects contains the seeds of what would become Claro) as well as his extensive collection of music created as part of the once vibrant demoscene community, under the name Dune. Both the album and the demoscene tracks are still all freely available online courtesy of scene.org, though anyone wanting to explore the latter should bear in mind they’re all in S3M or MOD format, which will need to be played in VLC media player (which can also convert them), Winamp or an equivalent. Read more

Tags: , , ,

The Rest Isn’t Noise

Posted on by 5:4 in Academia | 4 Comments

“We like to give you the maximum, from which you can subtract.” Aaron Einbond’s closing words before the first concert at the Noise In And As Music conference, organised by Einbond and Aaron Cassidy, which took place at Huddersfield University’s Centre for Research in New Music (CeReNeM) last weekend. Einbond’s amusing reference to volume (and the audience’s option for ear-plugs) crystallised the essence of the conference’s focus and the host of assumptions one tends to make about it. What, after all, is noise? Does it—should it—connote material that is extremely loud? extremely dense? extremely extreme? The conference’s three days of papers, discussions, installations and concerts went no small way to addressing these fundamental questions.

The range of opinions, methodologies and implementations of what may or may not be ‘noise’ was almost bewilderingly broad and multi-faceted. In keeping with each and every conceit of genre, noise too has its share of charlatans, wannabes and hangers-on, and the weekend occasionally dipped its toe into examples of thought and sound that seemed either to miss the point or just sap all the interest out of it. But such moments were happily rare; not only were the majority of contributions fascinating and very thought-provoking, the best were stunning examples of what noise can be and can do, examples that changed, expanded and even redefined one’s understanding not only of what we were hearing, but of hearing itself; repeatedly and equally, both sound and sensation found themselves under the microscope. Read more

Tags: , , , , , ,

Mix Tape #28 : Speech

Posted on by 5:4 in Mix Tapes | Leave a comment

For the last Mix Tape of 2013, i’ve decided to explore music in which speech is paramount. Within a musical context, spoken words can jar in much the same way as an actor breaking the fourth wall, unsettling us by (ostensibly at least) withholding abstraction in favour of direct reference. The range of pieces included in the mix is more eclectic than usual, drawing on offcuts, afterthoughts and outtakes (Hecq, Frankie Goes to Hollywood, Kreng, Aphex Twin), filtered renderings, recreations and re-imaginings of speech (Cabaret Voltaire, Charles Dodge, John Hudak, Gregory Whitehead, Marc Behrens, Jean-Michel Jarre) as well as forms of non-singing (AGF and the peerless William Shatner). But most of the tracks exploit the spoken word through fascinating essays in obscure narrative, by turns sinister (Eugene S. Robinson), prosaic (Jóhann Jóhannsson, Anne-James Chaton), sexual (Andrew Liles), wistful (Steve Peters), intimate (Edward Ka-Spel), surreal (Olga Neuwirth, irr. app. (ext.)), poetic (John Wall/Alex Rodgers), combative (Frank Zappa) and philosophical (Adrian Moore).

A little over two hours of speech-inspired music and sound art; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Mix Tape #27 : Drone

Posted on by 5:4 in Mix Tapes | Leave a comment

It’s 1 July, so here’s the new mix tape, focussing on the intense genre of drone. Drone music suffers the same kind of malaise as more generalised ambient music—immobility and drift as tacet apologias for a dearth of imagination and subtlety of ideas. But these 21 tracks offer an insight into something altogether more profound, plumbing the depths of immobility and stasis, teasing out faint, furtive tendrils of exotica. They represent a broad sonic palette, in terms of colour, dynamic and texture, incorporating elements from dark ambient and noise as well as more experimental electronics.

In all, two hours of droning wonder; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,