Nokuit – Live at Cafe OTO

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While it remains impossible to experience live performances at the moment, i’ve been enjoying doing it virtually by immersing myself in Live at Cafe OTO, a recording of the half-hour debut performance given there in summer 2018 by sound artist Nokuit. i need to cut to the chase with this one: the thing i love most about it is the ambiguity of its tone. It’s an ambiguity nicely suggested in the cover artwork, where a dark, grainy image (possibly of a distant block of flats) is aggressively challenged by an explosion of impossible brightness in the foreground. A similar polarisation of black and white can be heard in the music, conveying both a Damoclesian dystopian doom alongside burning shafts of hopeful radiance. It makes for a highly dramatic, almost melodramatic, narrative, caught in a volatile space where we find ourselves pulled down, brought low, only then to be buoyed up and raised aloft, in every sense elevated.

The music emerges out of Cafe OTO’s murmuring ambiance into a mess of squeaky friction and unintelligible speech, a disorienting but engaging opening that soon finds stability in a powerful 2-note (major third) bass oscillation. Even as early as this, though, there’s an ominous tinge to this stability, and it’s hard to say whether it’s a relief or not to return to the more confusing melée of elements that eventually causes it to break down, channelled through a forceful column of noise. This intense balancing act continues through similarly sharp contrasts of clarity and (un)certainty: a beautiful, intense early climax around nine minutes in, laden with squelch and pounding impacts, breaks apart and suddenly everything is just ticking over, pulled back but poised. A new semitone oscillation starts up, its tones rippling with distortion like beams of light too bright for dark-adapted eyes to be able to register them properly. Read more

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