of Montreal

Mixtape #25 : Best Albums of 2012

Posted on by 5:4 in Best of the Year, Mixtapes | 3 Comments

HAPPY NEW YEAR TO YOU ALL!

Today marks 5:4‘s fifth anniversary, and so i’d like to take this opportunity to thank all of you who regularly read, share and respond to the articles and music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time and attention. i very much hope that 5:4 can grow and become even more interesting and useful in the next five years; all comments, criticisms, suggestions and other feedback is always very warmly encouraged.

But to return to the present, and to continue our annual tradition, here is a new mixtape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft and very loud indeed. As ever, if you like what you hear in the mix, please support the artists and buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, and so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mixtape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2012 (Part 1)

Posted on by 5:4 in Best of the Year, CD/Digital releases | 1 Comment
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

This is a list surrounded by other lists leading to other lists, lists … that explain everything by being gateways into worlds of sound, feeling and information…
…the love of making lists is an attempt to remind us of what it is that has happened, and what is happening, all at once, as time and humanity collapses into itself. …
The list is a collage of hopes and wishes, of knowledge and exhibitionism.
(Paul Morley, Words and Music)

So we move on to the list of lists, the forty albums that have made the greatest impact over the last twelve months. Here are the first twenty to have made the cut.

Read more

Tags: , , , , , , , , , , , , , , , , , , , , ,

Mixtape #23 : Modern Troubadours

Posted on by 5:4 in Mixtapes | 2 Comments

Creatively, my thoughts have been heavily focused on song in the last couple of months, so i’ve made that the focus of the new 5:4 mixtape. Songs as we think of them today more or less conform to a generic, prefabricated mould that’s often at odds with their lyric content. Not all artists are prepared to compromise so readily, though, and the sixteen songs on this mixtape represent a rather more rare breed of song. i think of these artists as modern troubadours, for whom the the content of their song is such that it demands a break from convention, and the opportunity for a more experimental type of expression.

These songs, which range in duration between 7 and 17 minutes, encompass a wide variety of approaches to the art of song. Some, such as those by Deerhoof and maudlin of the Well, take experimental and progressive rock as their starting point, while Frankie Goes To Hollywood and Transvision Vamp opt for episodic epics, betraying the legacy of ‘Bohemian Rhapsody’. Janelle Monáe‘s approach is to create what amounts to a 9-minute musical, while Kevin Barnes’ of Montreal beg, borrow and steal from a plethora of pop, dance and rock idioms to convey his typically bizarre narrative. By contrast, Dead Can Dance tell their tale via a hypnotic, circling music that pushes the words firmly into the foreground; despite the complexity of their electronic backdrop, Ulver achieve the same result by speaking their lyrics. Julia Holter makes her words count, summarising them in the first three minutes and allowing them to radiate for another ten; Fovea Hex do something similar in their rethinking of folk music. Others have more to say and take longer to do it; Jenny Hval puts herself on a kind of musical knife-edge, fragile before a pale, sparse backdrop, while David Sylvian surrounds himself with a network of improvised lines and motes that would be impenetrable if they weren’t so scattered. Tori Amos turns to her trusty Bösendorfer in what is still her longest song to date, whereas Joanna Newsom (in her longest song) has her complex harp epicentre heavily enriched by lush orchestrations provided by Van Dyke Parks. Beginning and ending the mix are songs by perhaps the great troubadour of our age, Scott Walker, a pair of songs from his last two albums that explore a depth of lyrical expression that’s pretty much unique in the history of song. Read more

Tags: , , , , , , , , , , , , , , ,

Mixtape #19 : Best Albums of 2010

Posted on by 5:4 in Best of the Year, Mixtapes | 3 Comments

HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mixtape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2010 (Part 2)

Posted on by 5:4 in Best of the Year | 5 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:

20 | Anders Brødsgaard – Galaxy
In terms of CD releases, precious little contemporary instrumental music has made any kind of impression this year, which i find rather worrying. Not so with Anders Brødsgaard, whose 40-minute orchestral work Galaxy, composed over 10 years ago, finally found a release on the innovative Danish Dacapo Records label. A work of that scale, composed as a single movement span, is likely to put off some people, but it’s such a relief to hear music not constrained by the kind of generic limitations that afflict so much new music. Brødsgaard lives up to his cosmic title; drawing on a plethora of compositional ideologies, and structuring them on a spiral, he’s created one of the richest orchestral works i’ve heard in a long time.

19 | Get Well Soon – Vexations
Neil Hannon pissed away his credentials as a pop sophisticate long ago, and the mantle has fallen to Konstantin Gropper, whose Get Well Soon project has been gradually making a name for itself over the last few years. His unique brand of instrumental pop, akin to Belle and Sebastian but more bullish, is brilliantly displayed on Vexations, the lyrics of which are worthy of a lengthy discussion in their own right. i wrote at length about this album back in March, and my views have, if anything, intensified; ever serious but always accessible, Gropper’s melodies are utterly exquisite, augmented by the deftest of instrumental accompaniments. Read more

Tags: , , , , , , , , , , , , , , , , , ,

Aching with exuberance: of Montreal – False Priest

Posted on by 5:4 in CD/Digital releases | Leave a comment

My first encounter with of Montreal‘s 2008 album Skeletal Lamping was a bewildering experience. For anyone unfamiliar with it, its apparent 15 tracks are nothing but a ruse; in fact, there are many more than that, the album lurching between portions of song, seeking neither clarity nor indeed coherence. On the one hand, there’s something maddening about it, but what Skeletal Lamping projected most was a riotous celebration of the sheer joy of song-making, the jump-cuts so many signs of unbounded enthusiasm. For all its structural oddness, it was nonetheless irresistable, carrying the audience along on an unstoppable tide of invention. Their new album, False Priest, unleashed earlier this week, is therefore among the releases that i’ve been most excitedly ancitipating this year.

First things first: False Priest‘s 13 tracks are (almost) all present and correct in their entirety; of Montreal—as one might have guessed, considering their highly evolutionary history—have wisely not attempted to repeat past experiments. If anything, what songwriter Kevin Barnes has done in this new outpouring is find ways to incorporate the kind of stylistic eclecticism heard on Skeletal Lamping into cogent songs positively aching with exuberance. There’s undeniably a powerful sense of past musics informing each song at its deepest level, but while in the hands of lesser bands this can become a kind of shallow pastiche bordering on a piss-take (sadly, the road down which Scissor Sisters seem determined to travel), of Montreal’s unbridled imagination takes the essence of former idioms rather than just their surface gloss, and the result—for all its apparent ‘retro’ chic—is unequivocably new. Read more

Tags:

Mixtape #11 : Joy

Posted on by 5:4 in Mixtapes | Leave a comment

Following a hectic Easter weekend, and a few days spent in Cambridge, here’s a new mixtape, the theme this time being joy. To start, a wonderful jazz-folk fusion number from Yellowjackets; Greenhouse is an album i’ve loved for years, and “Freda” is one of its most exciting tracks. It’s followed by the last movement from one of Michael Tippett‘s earliest mature compositions; strident and full of momentum, it briefly allows a moment or two of wistful reflection before culminating in an elated dance. Freezepop‘s latest album remains their one consistent release, and “Ninja of Love” is one of its most infectious songs. Continuing the pace like a runaway train is the opening track from Squarepusher‘s brilliant 2006 album Hello Everything, “Hello Meow”, filled with retro synths and riffs. Each album by Deerhoof has its share of instrumentals, and “Rainbow Silhouette Of The Milky Rain” bludgeons its experimental way along in rip-roaring fashion. The mix now enters a gentler mode, beginning with Imogen Heap‘s ravishing track “Just For Now”, all glorious (if realistic) optimism. And then Björk, who has surely composed some of the most unreservedly happy songs ever; “All Is Full Of Love” is here given extra treatment in the form of beats and strings, becoming if anything, more ecstatic than the original version. The “Communion” from Tournemire‘s Easter music shows him at his mystical best, placing the plainsong themes into complex, shimmering chords that hover and float in rapture. Julee Cruise, bless her, only knows extremes: her music is either abjectly mournful (“The Dying Swan”) or caught up in ecstasy, as she is here, in one of her most well-known songs. Read more

Tags: , , , , , , , , , , , , , , , , , ,

Mixtape #9 : Best of 2008

Posted on by 5:4 in Mixtapes | Leave a comment

Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mixtape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2008

Posted on by 5:4 in Best of the Year | 8 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, 141 of them were released in 2008), but also because i’m conscious of a number of albums that i haven’t yet listened to, and which could well appear in this list. Anyhow, all lists of this kind are provisional, so as things stand today, here are the 5:4 Best Albums of 2008:

40 | Squarepusher – Just A Souvenir
On the one hand, this album isn’t as successful as Squarepusher’s last and best album, Hello Everything. On the other hand, Tom Jenkinson is just so talented that even failed experiments like this are better than most. Quite what led him to resurrect 70s electronics and seek to incorporate it into his style is anyone’s guess, but he’s hardly alone in doing so. At times it’s downright annoying, and overall there’s a diminished sense of unity across the album; yet tracks like “Tensor in Green” and “Quadrature” are brilliant demonstrations of the kind of synthesis of which Jenkinson is capable.

39 | Nurse With Wound – Huffin’ Rag Blues
NWW have turned down the absurdism somewhat on this release, allowing the jazz inflections to come through unfettered. Nonetheless, there’s still sufficient surreal juxtaposition of material for this to be a superbly eclectic electroacoustic outing. “The Funktion of the Hairy Egg” is especially effective, and the outstanding track on this disc, which also features irr. app. (ext.)’s Matt Waldron and is mixed by Andrew Liles.

38 | Gregor Samsa – Rest
Another great album from this band, who are able to sound simultaneously languorous and ecstatic. At times it’s a little too shoegaze for its own good, but most of the album is particularly effective, and sometimes strikingly delicate. The vocals, in particular, are often ethereal to the point of becoming inaudible, providing a wonderful mysterious surface beneath which the textures can drift and intermingle.

37 | Byetone – Death Of A Typographer
Despite being fairly typical Raster-Noton material, this album displays real variety, encompassing lovely ambient episodes along with the familiar glitchy electronica. There’s a markedly industrial tone to the beats, but they’re delivered with such panache that they never feel oppressive. It also lacks the coldness that seems to accompany, say, Alva Noto’s recent material (although, having said that, i really liked this year’s Unitxt, despite it not appearing in this list); this is surprisingly light and warm dance music.

36 | AGF – Words Are Missing
A rapid, insistent album, with Antye Greie’s voice (along with pretty much all other sounds) fragmented into a myriad shards. The constructions she makes from these pieces are consistently engaging, while not perhaps representing the best of her work; at times, the music are off-puttingly minimalistic. Nonetheless, the deep beats that permeate the tracks give them a potent physicality that is infectious; and, as in “Dread In Strangers Eyes”, influences of musique concrète and collage-like techniques give the album a fascinating variety.

35 | Ladytron – Velocifero
There are distinct traces of Curve in Ladytron’s latest release, which is most definitely no bad thing. This is particularly the case with “Runaway”, recently released as a single and easily the best track on the album. First and foremost, though, Ladytron have brought out their best album to date, filled with dirty, somewhat languid rock-tronica.

34 | Deerhoof – Offend Maggie
i wrote about this album back in October, and my initial disappointment about this album has, to some extent, given way to (i hope) a deeper appreciation. It still doesn’t quite capture the unbridled fire and passion of Friend Opportunity, but there’s a maturity present here that perhaps i wasn’t expecting. A flawed masterpiece it may be, but any group or album that can come up with a track as astonishing as “Jagged Fruit” is nothing less than brilliant.

33 | Stephan Mathieu – Radioland
A curious assemblage of thoughtful meditations, this is ambient from a more heavyweight perspective. At least, that’s the way it comes across, like vast heavy nimbus clouds, their complex inner structures ever shifting. The result is powerfully hypnotic, and often very beautiful, particularly “Auf der Gasse”.

32 | Implex Grace – Through Luminescent Passages II
i wrote a fair bit about this release back in November, so i won’t repeat that here. Since then Michael Goodman has made it clear to me that what i perceived as a lack of direction is something quite intentional on his part, and while i’m prepared to accept that, the brevity of the tracks, i feel, still militates against the kind of ‘meditative’ state he desires. All the same, it’s still an interesting counterpart to volume 1, focusing more on the noise end of the ambient continuum. It’s still available free of charge, here, in FLAC and mp3 formats, direct from Goodman’s netlabel, Distance Recordings.

31 | Ran Slavin – Nocturnal Rainbow Rising
Ran Slavin’s latest release is another free download, from the excellent Crónica netlabel. It’s a disc that demonstrates real skill at shaping sound, as well as formidable restraint, the tracks given space to develop at their own pace, never seeming forced along. Its use of bass frequencies to punctuate the material is very striking; “Pure Honey in Lack One” is perhaps the best example.

30 | Specta Ciera – Mystic Valley Parkway
Yet another free album, released through Distance Recordings, and available here. This is music reassuringly difficult to categorise, bringing together diverse sound sources into a melange within which they briefly become obvious before being re-absorbed. At times (“I Lost The Dream Archive”) it becomes really breathtaking, dazzling the ear with its restless activity. Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,