Only Connect

Only Connect 2018 (Part 2)

Posted on by 5:4 in Concerts, Premières | Leave a comment

From the lofty architecture of Sentralen, day two of the Only Connect festival took place in the infinitely more modest environment of Skippergata, a relaxed café-bar-nightclub with various large and small performance spaces. Though the venue was low-key, the concerts were anything but.

Flautist Alessandra Rombolà’s rendition of Christina Kubisch‘s 1974 Emergency Solos – a work the composer described during the festival as her “goodbye to instrumental music” – was one of the most agonisingly authentic performances i can remember. Kubisch reflects on the stumbling blocks, barriers and expectations that confronted her as a woman musician at the time by inflicting ever more hindrances on the flautist: thimbles on all the fingertips, causing regular jams on the keys; playing on just the headjoint with a condom placed over the end – subsequently used as a bladder to elicit groaning squeaks; stuffing the instrument into a gas mask, resulting in increasingly desperate in- and exhalations, the flute buzzing and producing strained blurts of pitch before finally dying; forced to put down the instrument in order to adopt a defensive posture behind boxing gloves; and attempting to play ‘Silent Night’ while wearing mittens. Read more

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Only Connect 2018 (Part 1)

Posted on by 5:4 in Concerts, Premières | Leave a comment

At contemporary music festivals one becomes accustomed to expecting the unexpected. However, in the case of Norway’s Only Connect festival, which took place last weekend in Oslo, expectations were overturned in no small part by the weather, due to the country experiencing its warmest May in over 70 years, basking in constant sunshine and 28°C temperatures. As a consequence this was new music not only at its most exciting, but also at its sweatiest, for performers and audiences alike. Organised by nyMusikk, Norway’s 80-year old centre for experimental music and sound art, Only Connect’s two days of concerts took the festival name seriously, arranging the concerts such that each day was essentially a journey round or through a single space. Read more

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