Operator Please

Mixtape #20 : Dancefloor

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Having finally emerged from the dark days of Lent, i thought it would be fitting to have a new mixtape, with an upbeat theme. As i’ve mentioned on previous occasions, dance music has always been a parallel love of mine alongside the avant-garde, and this mixtape will, i hope, prove to be an irresistable selection. As always, there’s a mix of old and new, the oldest being around 13 years old, the newest released last month.

Delphic were included in the BBC Sound of 2010, not exactly a good sign to be sure, and while they’ve failed (as yet) to distinguish themselves, this song isn’t at all bad, and this remix makes it perfect. Above and Beyond are, in my view, the champions of contemporary trance music, and they feature on this mixtape four times; “Stealing Time” is one of the standout tracks from their lovely album Tri-State, released 5 years ago. Connected to Above and Beyond via their Anjunadeep label is Michael Cassette; this is his latest single, a delicious throwback to 1980s synths. Ahead of Delphic in that dreaded BBC 2010 list was Marina Diamandis, better known as Marina and the Diamonds; she’s proved herself to be a real talent, and while “I Am Not A Robot” is pop perfection as it stands, this hard-to-find remix is outstanding. If you’ve never heard of Bloodgroup, they’re an up and coming band from Iceland, specialising in a rather unusual brand of electropop (with occasional similarities to The Human League); this track comes from their latest album and is a good introduction to their music. Read more

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Mixtape #11 : Joy

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Following a hectic Easter weekend, and a few days spent in Cambridge, here’s a new mixtape, the theme this time being joy. To start, a wonderful jazz-folk fusion number from Yellowjackets; Greenhouse is an album i’ve loved for years, and “Freda” is one of its most exciting tracks. It’s followed by the last movement from one of Michael Tippett‘s earliest mature compositions; strident and full of momentum, it briefly allows a moment or two of wistful reflection before culminating in an elated dance. Freezepop‘s latest album remains their one consistent release, and “Ninja of Love” is one of its most infectious songs. Continuing the pace like a runaway train is the opening track from Squarepusher‘s brilliant 2006 album Hello Everything, “Hello Meow”, filled with retro synths and riffs. Each album by Deerhoof has its share of instrumentals, and “Rainbow Silhouette Of The Milky Rain” bludgeons its experimental way along in rip-roaring fashion. The mix now enters a gentler mode, beginning with Imogen Heap‘s ravishing track “Just For Now”, all glorious (if realistic) optimism. And then Björk, who has surely composed some of the most unreservedly happy songs ever; “All Is Full Of Love” is here given extra treatment in the form of beats and strings, becoming if anything, more ecstatic than the original version. The “Communion” from Tournemire‘s Easter music shows him at his mystical best, placing the plainsong themes into complex, shimmering chords that hover and float in rapture. Julee Cruise, bless her, only knows extremes: her music is either abjectly mournful (“The Dying Swan”) or caught up in ecstasy, as she is here, in one of her most well-known songs. Read more

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Mixtape #9 : Best of 2008

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Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mixtape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2008

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, 141 of them were released in 2008), but also because i’m conscious of a number of albums that i haven’t yet listened to, and which could well appear in this list. Anyhow, all lists of this kind are provisional, so as things stand today, here are the 5:4 Best Albums of 2008: Read more

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Best EPs of 2008

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It’s been a fascinating year for music. And so, partly because i love making lists(!), here are the 5:4 Best EPs of 2008 (my top 40 albums will appear tomorrow):

10 | Belong – Colorloss Record
Creators of some of the most poignantly decayed music ever, Belong have excavated four more relics in this lovely EP. Whiffs of the source material hover just too far to be resolved, while chord progressions wistfully undulate somewhere far, far beneath. Quite how long they can continue in this direction is hard to say, but for now their originality in this kind of music is absolutely first-rate.

9 | Operator Please – Just A Song About Ping Pong
The best-known (but not the best) song by Operator Please, this EP (mentioned in my review a few months back) contains a superbly danced-up version of the title track: the Kissy Sell Out White Stallion Extended Remix. It, together with the original version, perfectly capture the wonderfully breathless quality of this band’s music.

8 | Operations – Cold Months
Beautifully packaged inside a piece of felt (photos of my copy can be seen here), sealed with a safety pin, Chris Anderson’s latest release is an introverted masterpiece. As suggested by the title, this comes across as ‘wintry’ music, conjuring up potent images of wistfulness and nostalgic yearning. The most outstanding example is the short central track, bearing the enigmatic title “( )”, where a fin de siecle gramophone record utters its last gasp of music, a rapturously beautiful fragment of clarinet and strings. It’s astoundingly lovely, and my favourite track from 2008.

7 | Ian D. Hawgood – Tents And Hills
The latest release from the interesting Luv Sound netlabel (free download available here), described by them as “a thick miasma of overtones and shifting colors”, which is a pretty fair assessment. Hawgood has a real gift for ambient, although for the most part the textures he creates are far too interesting to ignore—but that’s hardly a bad thing. All too brief, but very satisfying; opening track “October” is particularly good, its dreamy shimmering finally coalescing into rich octaves.

6 | irr. app. (ext.) – Enterruption Hermetic Archival Cassette Series 3
Just two tracks lasting barely a quarter of an hour, but this is Matt Waldron at his obtuse and recondite best. Not quite as glaringly surreal as his Aspiring to an Empty Gesture, also released this year, this is nonetheless a rich salmagundi, taking in a range of aural shapes that belies their brevity. A number of releases are supposedly forthcoming, so hopefully 2009 will be an exciting year for irr. app. (ext.). Read more

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Respectable anarchy: Operator Please

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Ok, let’s get things going again with a band i’ve been meaning to write about for a long while. i’m assuming Operator Please will be well-known to many, but i’m not sure that would have been the case, say, 9 months ago, as their profile seems to have increased significantly this year. Teenage rock bands don’t exactly have an illustrious lineage, but Operator Please—perhaps due to being Australian, which often seems to inject something ‘quirky’ (i.e. non-British) into the mix—stands apart from the posturing, arrogance and emotional tedium that drench and encapsulate the usual adolescent twaddle. It’s not just their antipodean credential though; the band is an interesting mixture, including a violinist, which has helped to cultivate an individual sound. There’s a certain amount of confusion that surrounds their releases, due to differences between Australian and British versions; this has been compounded by the very peculiar way these releases have been made available on the iTunes Store. Read more

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