Parenthetical Girls

Best EPs of 2012

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The list is what brings a world of chaos into some kind of pattern. The list fixes a broken world floating out into the outer world of emptiness. The list links us to ourselves, places us together, puts us in order. The list soothes us in the way it organises memory and shapes the consciousness. Everybody loves a list for making sense of the awesome nature of all the stuff that surrounds us. The list is at the heart of everything. Everything is part of a list. Humanity is one long list linking nothing with something.
(Paul Morley, Words and Music)

Paul Morley telling it how it is, & as the year starts to fade away, it’s time once again for the series of lists detailing the best of the best that’s passed through my eardrums in the last 12 months. We begin, as ever, with the ten most outstanding EPs. Read more

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Mix Tape #16 : Vox Masculus (In Memoriam Ian Curtis)

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Thirty years ago, Ian Curtis, lead singer and prime mover of Joy Division throughout its short-lived existence, took his own life. i can’t and won’t claim to have known anything about this at the time (being a mere six years old, my own musical journey had barely begun, let alone made it as far as the emerging post-punk scene), and i continued to know nothing of Joy Division until around 1982, when the combination of buying the 12″ vinyl of “Blue Monday” (on a whim; i liked the artwork) and my growing fondness for the more gothic end of the growing indie scene made me conscious of Joy Division’s significance. Undoubtedly worthy albums, Unknown Pleasures and the posthumous Closer only begin to hint at where the band might have gone next; whether it would have led down the same path as that taken by New Order is impossible to guess. The death of a celebrity interests people for all the wrong reasons; what matters is that Curtis was a fascinating creative individual, whose talents as a singer and a lyricist had only just begun to reach fruition. It seems entirely appropriate, therefore, to dedicate this new mix tape—focussing on male vocalists—to Ian Curtis’ memory. Read more

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Mix Tape #9 : Best of 2008

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Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mix tape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2008

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, 141 of them were released in 2008), but also because i’m conscious of a number of albums that i haven’t yet listened to, and which could well appear in this list. Anyhow, all lists of this kind are provisional, so as things stand today, here are the 5:4 Best Albums of 2008:

40 | Squarepusher – Just A Souvenir
On the one hand, this album isn’t as successful as Squarepusher’s last and best album, Hello Everything. On the other hand, Tom Jenkinson is just so talented that even failed experiments like this are better than most. Quite what led him to resurrect 70s electronics and seek to incorporate it into his style is anyone’s guess, but he’s hardly alone in doing so. At times it’s downright annoying, and overall there’s a diminished sense of unity across the album; yet tracks like “Tensor in Green” and “Quadrature” are brilliant demonstrations of the kind of synthesis of which Jenkinson is capable.

39 | Nurse With Wound – Huffin’ Rag Blues
NWW have turned down the absurdism somewhat on this release, allowing the jazz inflections to come through unfettered. Nonetheless, there’s still sufficient surreal juxtaposition of material for this to be a superbly eclectic electroacoustic outing. “The Funktion of the Hairy Egg” is especially effective, and the outstanding track on this disc, which also features irr. app. (ext.)’s Matt Waldron and is mixed by Andrew Liles.

38 | Gregor Samsa – Rest
Another great album from this band, who are able to sound simultaneously languorous and ecstatic. At times it’s a little too shoegaze for its own good, but most of the album is particularly effective, and sometimes strikingly delicate. The vocals, in particular, are often ethereal to the point of becoming inaudible, providing a wonderful mysterious surface beneath which the textures can drift and intermingle.

37 | Byetone – Death Of A Typographer
Despite being fairly typical Raster-Noton material, this album displays real variety, encompassing lovely ambient episodes along with the familiar glitchy electronica. There’s a markedly industrial tone to the beats, but they’re delivered with such panache that they never feel oppressive. It also lacks the coldness that seems to accompany, say, Alva Noto’s recent material (although, having said that, i really liked this year’s Unitxt, despite it not appearing in this list); this is surprisingly light and warm dance music.

36 | AGF – Words Are Missing
A rapid, insistent album, with Antye Greie’s voice (along with pretty much all other sounds) fragmented into a myriad shards. The constructions she makes from these pieces are consistently engaging, while not perhaps representing the best of her work; at times, the music are off-puttingly minimalistic. Nonetheless, the deep beats that permeate the tracks give them a potent physicality that is infectious; and, as in “Dread In Strangers Eyes”, influences of musique concrète and collage-like techniques give the album a fascinating variety.

35 | Ladytron – Velocifero
There are distinct traces of Curve in Ladytron’s latest release, which is most definitely no bad thing. This is particularly the case with “Runaway”, recently released as a single and easily the best track on the album. First and foremost, though, Ladytron have brought out their best album to date, filled with dirty, somewhat languid rock-tronica.

34 | Deerhoof – Offend Maggie
i wrote about this album back in October, and my initial disappointment about this album has, to some extent, given way to (i hope) a deeper appreciation. It still doesn’t quite capture the unbridled fire and passion of Friend Opportunity, but there’s a maturity present here that perhaps i wasn’t expecting. A flawed masterpiece it may be, but any group or album that can come up with a track as astonishing as “Jagged Fruit” is nothing less than brilliant.

33 | Stephan Mathieu – Radioland
A curious assemblage of thoughtful meditations, this is ambient from a more heavyweight perspective. At least, that’s the way it comes across, like vast heavy nimbus clouds, their complex inner structures ever shifting. The result is powerfully hypnotic, and often very beautiful, particularly “Auf der Gasse”.

32 | Implex Grace – Through Luminescent Passages II
i wrote a fair bit about this release back in November, so i won’t repeat that here. Since then Michael Goodman has made it clear to me that what i perceived as a lack of direction is something quite intentional on his part, and while i’m prepared to accept that, the brevity of the tracks, i feel, still militates against the kind of ‘meditative’ state he desires. All the same, it’s still an interesting counterpart to volume 1, focussing more on the noise end of the ambient continuum. It’s still available free of charge, here, in FLAC and mp3 formats, direct from Goodman’s netlabel, Distance Recordings.

31 | Ran Slavin – Nocturnal Rainbow Rising
Ran Slavin’s latest release is another free download, from the excellent Crónica netlabel. It’s a disc that demonstrates real skill at shaping sound, as well as formidable restraint, the tracks given space to develop at their own pace, never seeming forced along. Its use of bass frequencies to punctuate the material is very striking; “Pure Honey in Lack One” is perhaps the best example.

30 | Specta Ciera – Mystic Valley Parkway
Yet another free album, released through Distance Recordings, and available here. This is music reassuringly difficult to categorise, bringing together diverse sound sources into a melange within which they briefly become obvious before being re-absorbed. At times (“I Lost The Dream Archive”) it becomes really breathtaking, dazzling the ear with its restless activity. Read more

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Mix Tape #8 : Versions

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After far too long a hiatus, here’s a new mix tape, this time exploring some of my favourite cover versions. To be clear, none of these tracks are what i’d call ‘remixes’, which i think of as a separate, quite different discipline; these are good ol’-fashioned covers of some great original songs.

t.A.T.u.’s version of The Smiths‘ “How Soon Is Now?” stands out on their first album, 200Km/h in the Wrong Lane, partly because it’s the only cover version, but more because of how utterly good it is. While i always was a fan of The Smiths, i’d actually far prefer to listen to t.A.T.u.’s rendition of it, their vocals somewhat less restrained than Morrissey’s. “Here’s Where The Story Ends” has been covered by many artists, and i’ve included the most recent, by Tin Tin Out featuring Shelley Nelson. Their version of the song is rather passionless, but this remix of it (the “Canny Remix”) saves the day, a dance version that shows off Nelson’s superb voice admirably. An old classic, “Blue Moon”, is given a fantastic big band treatment by Cybill Shepherd, taken from the soundtrack to the 80s TV series, Moonlighting. Shepherd’s voice is simply astounding, in what is my favourite version of this timeless song. Tori Amos makes several appearances in this mix, simply because she takes a more imaginative approach to her covers than any artist i’ve come across, always presenting the song in a new light, teasing out new connotations from the original. First up is her utterly deconstructed version of 10cc‘s epic ballad, “I’m Not In Love”, taken from her album of covers, Strange Little Girls. All sentimentality has been stripped, the music standing bare and heavy, with a palpable sense of menace; it’s beautiful and gently horrifying all at the same time. Read more

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