Philip Wilby

Choral Evensong (Wells Cathedral): music by Judith Bingham, Philip Wilby and Messiaen

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Today’s service of Choral Evensong from Wells Cathedral—part of the New Music Wells Festival—broke the moribund trend of these broadcasts to celebrate English banalities in aspic, and revelled in a collection of new choral music.

It got off to a poor start, however; the American composer Gary Davison‘s setting of a text by Thomas Ken, Glory to thee, my God, this night, did little more than execute the most perfunctory and predictable word-painting; it’s an utter waste of a really rather lovely text—do we really need yet more composers incessantly churning out this banal brand of generic guff?

Following the first hymn, though, wonder of wonders: the alternative canticles! It’s incredibly rare these days to find a cathedral that actually remembers these alternatives exist, rarer still that composers see fit to set them to music. Kudos to Wells and to Judith Bingham for being prepared to break with Anglican tradition and be imaginative! Read more

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