Polly Scattergood

Mix Tape #14 : Best Albums of 2009

Posted on by 5:4 in Best of the Year, Mix Tapes | 4 Comments

A VERY HAPPY NEW YEAR TO YOU ALL!.

Today marks the 2nd birthday of 5:4, so a big thank you to all of you who are regular readers for your time and interest in this blog. Following yesterday’s run-down of my favourite 40 albums from 2009, here’s the accompanying mix tape, featuring a track from each album. It’s probably the most diverse mix tape yet on 5:4, and lasts a little under four hours. 2010’s going to have to try pretty hard to surpass this remarkable music—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2009

Posted on by 5:4 in Best of the Year | 6 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Embarking on another list such as this, i’m reminded again of what i think of as “Paul Morley’s Dictum”; in his superb book Words and Music he writes of the provisional nature of all “best” lists, describing how they could (and perhaps should) change, perhaps quite radically, from day to day. i think he’s absolutely right, and there are many albums released in 2009 that i haven’t heard, so feel free to treat the following as the gospel truth with a pinch of salt. Put it this way, it’s true now, at the end of the year, and that’s perhaps as good as anything else. There really has been a dazzling display of imagination and innovation this year, of which these forty are, in my view, the best. Read more

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Frail, impassioned and allusive: Polly Scattergood

Posted on by 5:4 in CD/Digital releases | Leave a comment

Of late, i’ve been revelling in new releases from a number of British female singers, all of whom deserve much wider appreciation. First up is the superbly-named Polly Scattergood, whose self-titled debut album was released early last month. Scattergood—her real name—is an alumnus of the BRIT School, an inconsistent institution that has churned out numerous successful musicians, from the talented (Imogen Heap) to the banal (Katie Melua/Adele) to the disturbingly talentless (Amy Winehouse). Thankfully, Scattergood is very much at the Imogen Heap end of the spectrum, her songs often very unconventional, her voice capable of both aching fragility and disconcerting caprice.

Despite being a debut, the naïveté suggested by Polly Scattergood’s voice isn’t particularly noticeable throughout the album’s 10 tracks; it’s a confident, assured debut. On the other hand, lack of experience has its own kind of freedom, and this is perhaps best demonstrated on the surprisingly lengthy opener, “I Hate The Way”. Beginning with great delicacy, Scattergood’s voice extremely close-miced, it treads a path that worryingly suggests a ghastly emo track is to ensue: “I hate the way I bleed each time you kiss me”. Yet what follows is nothing of the kind, an increasingly fraught and insistent elegy, one that follows a nicely unconventional structure; at the middle 8, the song opens out into beatless gurgles beneath an angelic countermelody, while the coda abruptly descends into a surly, obsessive and deeply insecure monologue about wanting to gain the beloved’s attention away from “all those other girls”. It’s an impressive, deeply honest track, and also something of a statement of intent: baring the soul in an unconventional manner is to be expected. Read more

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