Press Charges

The Isolation Mixtapes : P

Posted on by 5:4 in Mixtapes | Leave a comment

This week’s Isolation Mixtape focuses on artists, groups and composers beginning with the letter P. As usual the mix celebrates some of the best and most striking music from the last decade, with two tracks from each of the years 2010 to 2019, featured in chronological order.

Here’s the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

Tags: , , , , , , , , , , , , , , , , , , ,

Free internet music: Press Charges

Posted on by 5:4 in CD/Digital releases, Free internet music, Thematic series | 1 Comment

There’s so much i could write about in this series looking at free internet music, that i think it’ll be something i’ll have to return to regularly from now on. For the time being, though, i’m ending this series with an album that’s one of the most imaginative and effective reworkings of existing material that i’ve ever heard. It’s by Irish musician Dunk Murphy of whom, it must be said, i’ve seriously wondered over the last few years if he can do no wrong. He’s the creative force behind the project Sunken Foal, whose three Friday Syndrome volumes (released in 2012, 2013 and 2015) are all absolutely stunning demonstrations of his unique experimental approach to blending acoustic and electronic sounds into something that, stylistically speaking, is very hard to describe, but if we were to call it electronica then that wouldn’t be entirely untruthful.

In between volumes 2 and 3, in 2014 came Press Charges, which appears to be a one-off project, but on its strengths one hopes it’s something Dunk Murphy will return to in the future. Murphy has taken a dozen songs by Smokey Robinson – either more recent solo tracks or older numbers recorded with The Miracles – and used just the vocal line, around which he has created an entirely new musical context. It’s worth stressing that knowledge of the originals is not in any way vital to enjoying this album in its own right; far from it, as one would expect from Murphy they’re a sublimely enjoyable collection of punchy, soul-infused tracks that strike a perfect balance between the edginess of their beat and bass patterns with the overtly lyrical streaks running throughout each song. However, spending time with the originals goes a long way to highlighting just how ingenious are Murphy’s reworkings, which in every case bears almost no resemblance to the original arrangement, yet manage to stay utterly true to the song’s underlying lyrical tone. Read more

Tags: , , , , , ,