Richard Blackford

Proms 2019: Pictured Within: Birthday Variations for M. C. B. (World Première)

Posted on by 5:4 in Festivals, Premières | 6 Comments

A week ago, the Proms saw the world première of a new work by no fewer than 14 composers. Conceived by conductor Martyn Brabbins as a 60th birthday present to himself, the piece is inspired by, and modelled on, the structure and character of Elgar’s Enigma Variations. For this new work, Pictured Within: Birthday Variations for M. C. B., Brabbins selected a theme (keeping its origin a secret) as the basis for fourteen variations, composed by Dai Fujikura, David Sawer, Sally Beamish, Colin Matthews, Iris ter Schiphorst, Brett Dean, Wim Henderickx, Richard Blackford, Harrison Birtwistle, Judith Weir, Gavin Bryars, Kalevi Aho, Anthony Payne and John Pickard. (It’s impossible to ignore how much of a sausage-fest that is, but it’s Brabbins’ party so obviously he calls the shots.) The tempos and approximate durations of Elgar’s original movements are, with a few exceptions, generally retained in Pictured Within, resulting in a composite work that corresponds to the overall shape, nature and inner relationships running throughout the Enigma Variations. Read more

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Cheltenham Music Festival 2018: The Strings of the BBC NOW; Hansel & Gretel

Posted on by 5:4 in Concerts | Leave a comment

Sitting in Cheltenham Town Hall last Saturday for a concert of music by the strings of the BBC National Orchestra of Wales, was a boilingly hot, practically overheating, experience. This was nothing whatsoever to do with the endless waves of sunshine with which we’re currently being treated, and everything to do with the première to which we were being subjected, Richard Blackford’s Kalon for string quartet and string orchestra. Exasperation had begun to set in even before Martyn Brabbins had started to conduct the piece, due to the fact that the performance was preceded by a 20-minute – let me say that again: 20-minute – introduction to the piece by Blackford in ‘conversation’ with Christopher Cook. In reality, it wasn’t a conversation at all, since Blackford responded to each of Cook’s supposedly spontaneous questions with a lengthy pre-written script that he cleaved to as if his life depended on it. It was one of the most excruciatingly cringeworthy bits of narcissistic verbiage i have ever heard, in which anyone who didn’t know better would be forgiven for thinking Blackford was the first person in history to have composed music in two tempi simultaneously (gasp!). His mixture of self-aggrandising pomposity and stilted humour was agonising to sit through, and since i’m not elderly, infirm or retarded, i could hardly have objected more passionately to this kind of overweening spoon-feeding. i honestly felt like asking him if he’d like to wipe my mouth when he’d finished. Read more

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