Rohan Drape

Mixtape #53 : Best Albums of 2018

Posted on by 5:4 in Best of the Year, Mixtapes | Leave a comment

Happy New Year everyone!

Many thanks to all of you who have read, followed, commented, shared, promoted and otherwise supported the blog during the previous year, most especially to my beloved band of Patrons. i’m starting 2019 in the usual way, with a new mixtape featuring something from each of the brilliant albums in my Best of 2018 list. Being such an eclectic list, the ‘narrative’ of this mixtape is one that unavoidably veers between quite wildly dissimilar styles and aesthetics, but to my ear that only makes it all the more interesting and fun.

40 tracks (well, technically 41: Jóhann Jóhannsson’s were short so i included two) that testify to and celebrate the range and scale of musical wonders created during 2018 – the full tracklisting is shown below, and links to buy each album can be found in the previous two days’ articles. As always, the mixtape can be downloaded or streamed. Read more

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Best Albums of 2018 (Part 1)

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Right, let’s cut to the chase: forget all those other narrow, limited, parochial and partisan Best Albums lists, here’s the only list you need: my round-up of the 40 albums that have charmed, enthralled, awed and amazed me the most during 2018. In case anyone was in any doubt, it’s been a very good year.

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North of North, Rohan Drape & Anthony Pateras – Ellesmere

Posted on by 5:4 in CD/Digital releases | 1 Comment

My first encounter with the music of Anthony Pateras – in the form of last year’s The Slow Creep of Convenience, his duo with violinist Erkki Veltheim – was a mind-blowing experience, one of the best things i had heard all year. So i was excited when two new discs arrived recently, both featuring Pateras, in guises that are both similar to and very different from that previous release. They’ve been giving me much to think about, particularly with regard to improvisation.

North of North is a trio project in which Pateras and Veltheim are joined by trumpeter Scott Tinkler, and their latest self-titled album, released a couple of months back on the trio’s own label _offcompass_, is a three-part improvised journey called Church Of All Nations. Where improvisation is concerned, there’s an important distinction to be made between short-term and long-term perspectives. The most interesting improvisations i’ve heard don’t simply pay equal attention to both these perspectives, but unfold in such a way as to keep throwing emphasis on one such that our understanding of the other is enriched. The effect on the listener is akin to cinematic zooms and panning, pushing in to scrutinise filigree surface details, pulling out to reveal their broader context. As far as Church Of All Nations is concerned there’s an immediate hint, even before listening, that long-term considerations have been borne in mind, since the three parts are presented in the non-sequential order 1-3-2, an interesting decision that perhaps says something about the overall tone and content of the piece. Read more

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