Ryoji Ikeda

Mix Tape #40 : Miniatures

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Even more than is usually the case, the new 5:4 Mix Tape is a pure stream of consciousness. i’ve returned to a theme i explored in one of the earliest mix tapes, miniatures, once again setting myself a limit of music lasting under two minutes. With a shortlist of 100+ tracks (each one a personal favourite), i then simply followed my nose, treating them as puzzle pieces for a newly-created jigsaw, or perhaps more accurately as tessera for an eccentric aural mosaic. As usual, they embrace a mixture of new and old, and stylistically it’s all over the place, though its narrative was entirely suggested by the material, sometimes dovetailing or morphing, elsewhere successive tracks acting as rude non sequiturs. Along the way you’ll encounter abrasion (Alejandro Jodorowsky, Naked CityBenjamin Wallfisch (whose IT soundtrack is gleefully insane), aTelecine), playfulness (Syd Dale, Andrew Liles, Camille), moody atmospheres (Laura Sheeran, SupersilentVangelisOlga Neuwirth, Beacon, Gareth Davis & Machinefabriek, Alva Noto, Ben Lukas Boysen), edgy lyricism (Zola Jesus, Elsiane, Gazelle Twin, Clark, Jenny Hval), convoluted beats (Don DavisZavoloka & AGFThe Flashbulb, Derek K Jeppsen, Shad[]wb[]x, Ryoji Ikeda), drama of various hues (James Newton HowardPeter AblingerVeli-Matti PuumalaClaude Vivier), dreamy ambient (Bad Loop, The Real Tuesday WeldCliff MartinezGet Well SoonMonty AdkinsAphex Twin), rich tonal yum (Marcel Dupré, Carpenters, Cyrillus KreekTõnu Kõrvits) and various other electronic, experimental or otherwise unconventional amuse-bouches (Francis DhomontFrank ZappaNicolas ObouhowAndrew Lloyd Webber (yes, really), Sophie, Steve LevineJohn ZornKenneth Kirschner). And all of this in just one hour.

48 tiny tracks ranging in duration from 1’59” to a mere 26 seconds. Here’s the tracklisting in full, together with links to obtain the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mix Tape #30 : Prime Numbers

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For the new 5:4 Mix Tape, i’m not so much exploring a theme as a conceit. Mathematics has been a recurring feature of both my compositional and recreational activities lately, so for this new mix tape i’ve compiled a selection of music the titles of which incorporate the first 21 prime numbers. It was, i should say, quite a challenge, but the result is, i think, a highly stimulating mixture of exquisite non-sequiturs and unexpected aural connections. The mix is in part characterised by the presence of line, from a host of oblique angles, including jazz (Tartar Lamb II), avant-garde (John Zorn), math rock (Three Trapped Tigers), neo-Wendy Carlos retrosynthtronics (Laibach), indeterminacy (Kenneth Kirschner), counterpoint in extremis (Conlon Nancarrow), bassline-driven electronica (Last Step), post-romantic ecclesiastical dreaminess (Marcel Dupré) and lo-fi intimacy (Kid Koala). Elsewhere texture predominates, either with a harmonic underpinning (Ochre, Celer, Nine Inch Nails (but only just), Dick Mills, V/Vm) or from a percussive/glitch/noise perspective (At Jennie Richie, Ryoji Ikeda, Paul D. Miller, Bass Communion, @c). Read more

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Mix Tape #29 : Best Albums of 2013

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A very HAPPY NEW YEAR to you all!

i want to say a big thank you to everyone who’s followed 5:4 in the last year, and especially to those of you who’ve posted comments and tweets in response. There are lots of exciting things planned for 2014, so watch this space.

In the meantime, continuing the 5:4 annual tradition, here’s the new mix tape, celebrating the music in my Best Albums of the Year list. A little something from each album, seamlessly stitched together and lasting a little under 3 hours. Enjoy!—and if you do enjoy what you hear, links to purchase the music can be found on the previous two days’ articles.

Here’s the tracklisting in full:

Read more

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Best Albums of 2013 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing 2013 to an end, here’s the final part of the best albums of the year. Go on, give your ears a treat, they deserve it. Read more

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Interrobang – works by Ryoji Ikeda, Simon Cummings/Charles Tournemire and Steve Peters

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Regular readers of 5:4 will know of my interest in the music of both Ryoji Ikeda and Steve Peters. Later this week i have the privilege of directing works by both of these composers, at the next concert given by my ensemble, Interrobang.

In the first half, we’ll be presenting the UK première of Ryoji Ikeda‘s gorgeous Op. 1, one of his only works for instrumental forces (alongside Op. 2 and Op. 3, also for strings). Op. 1 has been played by Ensemble Modern, but doesn’t seem to have been taken up by other groups, which seems strange considering how lovely it is. Also in the first half will be the first performance of my own L’Ensemble Mystique (Book One), a suite of arrangements of music by Charles Tournemire, for chamber orchestra. Tournemire’s music is all based on plainsong, and the original chants will also be sung at the concert, putting my arrangements into context. The second half is entirely given over to the UK première of Steve PetersThe Webster Cycles, the CD of which came almost top in my Best EPs of 2008. It’s a mesmerising piece that takes words from the Webster Dictionary and turns them into abstract melodic fragments, which overlap each other in aleatoric fashion.

The concert takes place at 7.30pm on Thursday 6 May, in the Recital Hall of Birmingham Conservatoire. There will also be a repeat performance of The Webster Cycles the following day at St Martin’s in the Bullring, starting at 12.30pm. It would be great to see any readers of 5:4 at these concerts—do make yourselves known if you’re there!

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The quiddity of existence: Ryoji Ikeda – datamatics [ver.2.0]

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This is why we have eyes and ears.

Last night, i was fortunate to be seated in the front row of the CBSO Centre in Birmingham, for Ryoji Ikeda‘s first UK concert since 2006. datamatics [ver.2.0] has been around internationally for a little over two years, and yesterday finally found its way to Britain. The plain interior of the CBSO Centre was embellished with the addition of a huge screen, that filled the air with the pungent aroma of plastic newness. In its own way, this actually contributed to the occasion, making for an astonishing son et lumière display that literally saturated the senses with cutting-edge modernity. Read more

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Mix Tape #4 : Miniatures

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This new Mix Tape began life as one of my playlists on iTunes, which simply specified that it should only include tracks under two minutes in duration. Surprisingly, 815 tracks from my music library fulfil this criteria, amounting to over 15 hours of music. Not surprisingly, this playlist makes for an eclectic and surreal listen, while at the same time providing a kind of ‘distillation’ of the music that i love. Here then, is a selection from that playlist, with a slight emphasis on music i’ve listened to more recently; almost 70 minutes of music stitched together with the aid of a variety of delightful advertisement spots by the wonderful and very innovative Raymond Scott. What this lot tells you about my music collection is anyone’s guess…

Here’s the complete tracklisting: Read more

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