Ryoji Ikeda

CBSO Centre, Birmingham: Ryoji Ikeda – datamatics [ver.2.0]

Posted on by 5:4 in Concerts | 1 Comment

This is why we have eyes and ears.

Last night, i was fortunate to be seated in the front row of the CBSO Centre in Birmingham, for Ryoji Ikeda‘s first UK concert since 2006. datamatics [ver.2.0] has been around internationally for a little over two years, and yesterday finally found its way to Britain. The plain interior of the CBSO Centre was embellished with the addition of a huge screen, that filled the air with the pungent aroma of plastic newness. In its own way, this actually contributed to the occasion, making for an astonishing son et lumière display that literally saturated the senses with cutting-edge modernity. Read more

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Mixtape #4 : Miniatures

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This new mixtape began life as one of my playlists on iTunes, which simply specified that it should only include tracks under two minutes in duration. Surprisingly, 815 tracks from my music library fulfil this criteria, amounting to over 15 hours of music. Not surprisingly, this playlist makes for an eclectic and surreal listen, while at the same time providing a kind of ‘distillation’ of the music that i love. Here then, is a selection from that playlist, with a slight emphasis on music i’ve listened to more recently; almost 70 minutes of music stitched together with the aid of a variety of delightful advertisement spots by the wonderful and very innovative Raymond Scott. What this lot tells you about my music collection is anyone’s guess…

Here’s the complete tracklisting: Read more

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Ryoji Ikeda – a retrospective

Posted on by 5:4 in Retrospectives | 4 Comments

It doesn’t seem to matter what medium they turn their hand to—film, fashion, theatre, literature, photography or, indeed, music—Japanese culture always seems to combine an intensity and honesty of expression with a forthright, futuristic vision. By contrast, we in the Occident—particularly here in England, perhaps the least open-minded, forward-thinking country on the planet—are often as distant from them conceptually as we are geographically. Over the years, i have kept finding what emanates from Japan to be an endlessly fascinating stream of inspiration. In a way, it’s easy to laugh at them, but only, i suspect, because we see in them an unabashed individualism we crave to possess. Musically, they demonstrate a freshness in their approach to sound and how it can be sculpted into different forms. i’ve written before of Merzbow, master of so-called “Japanoise”, the surface of whose work i feel i’ve only just begun to scratch. Just as capable of polarising opinion is Ryoji Ikeda, no less raw and elemental (although, i suspect, much more brilliant) than Merzbow, but preferring to look to the very heart of what sound is, precise and surgical, rather than dense and torrential. Equally precise is Ikeda’s output: a small collection of releases, each of which fashions music from the barest of fundamentals. and i choose that word carefully; Ryoji Ikeda uses bare sound waves as his raw material, constructing patterns that evolve and juxtapose themselves, often ordered, occasionally more chaotic. Read more

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