Simon Cummings

New CD: The Stuff of Memories

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My new CD, The Stuff of Memories, will be released at the end of this week; it comprises two electronic works made during the summer of 2009. Both address a related aspect to that explored on my previous CD, Triptych, May/July 2009; while that piece focused on the (perforce flawed) act of remembrance, the present works are directly concerned with the fabric of the memories themselves.

Ostensibly simple pieces, they each take their starting point from existing musical material (other works of mine), which has then been worked on extensively, worn and worried into its final forms. The emphasis, though, is very much on what remains, a celebration of the joy and fragility of the surviving original material, its voice continuing to sing through layers of damage and erosion.

The first piece, Memories are made of this, is dedicated to the Somerset artist Pat Clayton. The piece was in part inspired by her beautifully elaborate artworks, purposely aged and dirtied objects (often books and boxes); simultaneously naturalistic and artificial, they resemble items of flotsam washed up on a beach, waterlogged and etched with sand.

The second piece, becauseshewas (veteris vestigia flammæ) is dedicated to Will Long, of the duo Celer, whose experimental ambient creations readers of 5:4 will know i greatly admire. The title is a reference both to the circumstances pertaining to the original underlying material, as well as to Will’s wife Dani, who passed away in July 2009. The Latin quotation is from the account of Dido and Aeneas in Virgil’s Aeneid; it translates as “the traces of an old fire”, but i prefer John Dryden’s more poetic rendering: “the sparkles of my former flame”.

This release is a limited edition of 50 numbered copies. The price, including shipping, is:

UK – £10.50 | Europe – £11 | Worldwide – £12

For more information, to hear excerpts and to order a copy, go here.

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Mixtape #12 : Electronics

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Back, not so much with a vengeance as a new mixtape; the theme this time is simply electronics. Many of the pieces are rather long, so this mix, more than the others, features excerpts rather than complete works.

The mix opens with one of the most exciting electronic works by the duo FURT. Taking Brahms as its starting point, “Rigor” immediately slows, seemingly descending closer and closer upon its surface, the ensuing music seemingly scrutinising the Brahms material at the microscopic level. i was fortunate enough to witness this piece performed live (at the ICA, back in the mid ’90s), and it was thrilling, a truly memorable experience. The complete work can be downloaded free from FURT’s website; link below. “fol4” is Autechre‘s expanded version of “Fol3”, found on the limited double edition of Quaristice. It’s just as mercurial as its sibling, darting between the speakers with nervous, frenetic energy, from which assorted rhythmic patterns obtrude. A brief interruption comes in the form of Alva Noto’s “fontlab4.0”, one of his assorted miniature slews of (presumably) raw data from his superb album Unitxt. i’ve been interested in Ambrose Field‘s work since i heard him give a talk at Birmingham University about 15 years ago; he has a unique and fascinating approach both to sound itself as well as to its relationship to the listener. Included here is an episode from his splendid electroacoustic work Expanse Hotel, “Orient Express”. Next a work taken from an ancient off-air radio recording lurking in my archives, a work titled “Augustine’s Message” by the Welsh composer Robert Mackay. i’ve not heard anything else by Mackay, and sadly this piece doesn’t appear to be available on any releases, but i’ve been able to clean up the recording very well, and it nicely demonstrates the composer’s joint interest in music and drama. Despite its brevity, “Augustine’s Message” is an intense, beguiling listen. Then a lengthy excerpt from one of my very favourite composers, Roland Kayn. Kayn’s electronic works are nothing short of amazing, spanning vast durations with equally vast slabs of sound, slabs that are constantly re-shaping themselves. To my knowledge, few of Kayn’s works have been reissued on CD (the main exception being Tektra), but most of his vinyl releases can be found in high quality rips on the web (particularly here). Included here is a portion from the first part of his 1979 cycle Infra, “Isotrope”. Also conceived on a large scale is Pan Sonic‘s album Kesto (234.48:4), encapsulated in its 61-minute final track, “Säteily (Radiation)”. The excerpt here demonstrates the track’s beautifully radiant, shining character. Read more

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New CD: Triptych, May/July 2009

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Posts have been somewhat less frequent through the last two or three months; but these hands have been far from idle. i’m very happy to announce that my first CD will be released at the end of August, containing a new electronic work, Triptych, May/July 2009. Lasting 25 minutes, the work is an expressionistic electronic study concerned with the nature (and fallibility) of remembrance. Taking its starting point from an image of my late father (seen on the cover artwork), the work’s three panels explore different, but related, sound-worlds.

The first, Figment, occupies a deep, narrow frequency field, from which a mysterious and somewhat inscrutable music emerges, its material at times quite difficult to make out. Longest and loudest of the three, the central panel, Icon, continually shifts and evolves, its richly glittering noise forming ever new shapes and resonances, punctuated by fragments of melody. The work concludes with Vestige, where soft, distant flute-like tones sing out into the darkness.

The Triptych is dedicated to the memory of Danielle Baquet-Long, about whom i wrote recently; one half of Celer, who passed away suddenly last month.

This release is limited to 100 numbered copies. The price, including shipping, is:

UK – £5 | Europe – £5.50 | Worldwide – £6

To order a copy, go here, where you can also hear a brief excerpt from each part.

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New electronic work: [ULTRA]—infra

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Self-promotion time once again. Today i finished a new electronic composition, [ULTRA]—infra, a second work in the series begun last November by Negative Silence (detail). It’s being premièred next Monday at a concert of electronic music at Birmingham Conservatoire. i know many (most?) readers of 5:4 aren’t in the UK, but if any of you do happen to be in the area next Monday evening (if so, let me know), you’d be very welcome to come along; starts at 7.30pm. A little more info about the piece here.

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Mixtape #6 : Piano

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For years, the piano has been to me an object of fascination and awe; its range of capabilities, expressive potential and timbral variety are breathtaking. Also for years, these qualities were the very things preventing me from attempting to compose something for it. Listening to piano music is a supreme joy, and so this new mixtape is a concoction of some of the more interesting examples that have been occupying my ears of late. It also represents some of my favourite composers, all of them bringing something unique to the instrument. Read more

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