Supersilent

Mix Tape #40 : Miniatures

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Even more than is usually the case, the new 5:4 Mix Tape is a pure stream of consciousness. i’ve returned to a theme i explored in one of the earliest mix tapes, miniatures, once again setting myself a limit of music lasting under two minutes. With a shortlist of 100+ tracks (each one a personal favourite), i then simply followed my nose, treating them as puzzle pieces for a newly-created jigsaw, or perhaps more accurately as tessera for an eccentric aural mosaic. As usual, they embrace a mixture of new and old, and stylistically it’s all over the place, though its narrative was entirely suggested by the material, sometimes dovetailing or morphing, elsewhere successive tracks acting as rude non sequiturs. Along the way you’ll encounter abrasion (Alejandro Jodorowsky, Naked CityBenjamin Wallfisch (whose IT soundtrack is gleefully insane), aTelecine), playfulness (Syd Dale, Andrew Liles, Camille), moody atmospheres (Laura Sheeran, SupersilentVangelisOlga Neuwirth, Beacon, Gareth Davis & Machinefabriek, Alva Noto, Ben Lukas Boysen), edgy lyricism (Zola Jesus, Elsiane, Gazelle Twin, Clark, Jenny Hval), convoluted beats (Don DavisZavoloka & AGFThe Flashbulb, Derek K Jeppsen, Shad[]wb[]x, Ryoji Ikeda), drama of various hues (James Newton HowardPeter AblingerVeli-Matti PuumalaClaude Vivier), dreamy ambient (Bad Loop, The Real Tuesday WeldCliff MartinezGet Well SoonMonty AdkinsAphex Twin), rich tonal yum (Marcel Dupré, Carpenters, Cyrillus KreekTõnu Kõrvits) and various other electronic, experimental or otherwise unconventional amuse-bouches (Francis DhomontFrank ZappaNicolas ObouhowAndrew Lloyd Webber (yes, really), Sophie, Steve LevineJohn ZornKenneth Kirschner). And all of this in just one hour.

48 tiny tracks ranging in duration from 1’59” to a mere 26 seconds. Here’s the tracklisting in full, together with links to obtain the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mix Tape #37 : Best Albums of 2016

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HAPPY NEW YEAR!

i’m starting 2017 in the usual way, with a mix tape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mix tape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mix tape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 2)

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Here they are, then: the best of the best of 2016, each and every one of them packed full of the rarest imagination, invention and ingenuity. i can’t recommend them highly enough.
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Mix Tape #19 : Best of 2010

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HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mix tape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

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Best Albums of 2010 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Continuing the 5:4 retrospective, and after probably far too much deliberation, here are the first twenty of my forty Best Albums of 2010 (to be concluded tomorrow):

40 | Jenks Miller and Nicholas Szczepanik – American Gothic
Barely suppressed abrasion is the undercurrent throughout this fruitful collaboration. The context for it couldn’t be more gentle; “Sin Killers”, for example, suspends the rough edges as in a viscous liquid. But when the noise senses freedom, it’s like a bull at a gate; at first, in “White Light”, it emerges in fits and starts, but ultimately runs amok in final track “Cranberry Sauce”, turning its exquisitely beautiful stasis into an overwhelming torrent of effluvial overdrive.

39 | Supersilent – 10
Last year’s 9 proved conclusively that there was life for Supersilent after Jarle Vespestad’s departure, and its successor goes even farther. It’s Arve Henriksen’s astonishing trumpet-work that dominates this album, by turns evanescent (“10.1”), claustrophobic (“10.6”), and lyrical (“10.8” – one of this year’s most beautiful tracks), but at no point sounding remotely like a conventional trumpet. The evocative use of organ and electronics takes turns in both background and foreground; restraint is the watchword, though, only very occasionally protruding more forcefully, as in the bass thuds of the penultimate track. Read more

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Mix Tape #14 : Best Albums of 2009

Posted on by 5:4 in Best of the Year, Mix Tapes | 4 Comments

A VERY HAPPY NEW YEAR TO YOU ALL!.

Today marks the 2nd birthday of 5:4, so a big thank you to all of you who are regular readers for your time and interest in this blog. Following yesterday’s run-down of my favourite 40 albums from 2009, here’s the accompanying mix tape, featuring a track from each album. It’s probably the most diverse mix tape yet on 5:4, and lasts a little under four hours. 2010’s going to have to try pretty hard to surpass this remarkable music—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2009

Posted on by 5:4 in Best of the Year | 6 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Embarking on another list such as this, i’m reminded again of what i think of as “Paul Morley’s Dictum”; in his superb book Words and Music he writes of the provisional nature of all “best” lists, describing how they could (and perhaps should) change, perhaps quite radically, from day to day. i think he’s absolutely right, and there are many albums released in 2009 that i haven’t heard, so feel free to treat the following as the gospel truth with a pinch of salt. Put it this way, it’s true now, at the end of the year, and that’s perhaps as good as anything else. There really has been a dazzling display of imagination and innovation this year, of which these forty are, in my view, the best. Read more

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