The Birthday Massacre

Mix Tape #19 : Best of 2010

Posted on by 5:4 in Best of the Year, Mix Tapes | 3 Comments


It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mix tape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

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Best Albums of 2010 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:

20 | Anders Brødsgaard – Galaxy
In terms of CD releases, precious little contemporary instrumental music has made any kind of impression this year, which i find rather worrying. Not so with Anders Brødsgaard, whose 40-minute orchestral work Galaxy, composed over 10 years ago, finally found a release on the innovative Danish Dacapo Records label. A work of that scale, composed as a single movement span, is likely to put off some people, but it’s such a relief to hear music not constrained by the kind of generic limitations that afflict so much new music. Brødsgaard lives up to his cosmic title; drawing on a plethora of compositional ideologies, and structuring them on a spiral, he’s created one of the richest orchestral works i’ve heard in a long time.

19 | Get Well Soon – Vexations
Neil Hannon pissed away his credentials as a pop sophisticate long ago, and the mantle has fallen to Konstantin Gropper, whose Get Well Soon project has been gradually making a name for itself over the last few years. His unique brand of instrumental pop, akin to Belle and Sebastian but more bullish, is brilliantly displayed on Vexations, the lyrics of which are worthy of a lengthy discussion in their own right. i wrote at length about this album back in March, and my views have, if anything, intensified; ever serious but always accessible, Gropper’s melodies are utterly exquisite, augmented by the deftest of instrumental accompaniments. Read more

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Flawless, stratospheric pinnacles: The Birthday Massacre – Pins and Needles

Posted on by 5:4 in CD/Digital releases | 1 Comment

While the majority of contemporary rock—regardless of what prefix it’s given—tends to pass me by as so much generic, posturing fluff, inject a healthy, industrial-strength jolt of electronics through it, and i’m very much more inclined to sit up and pay attention. Such music’s just as capable of factory-line posing as its more raw, guitar-driven cousin, of course, but it does give the music, at least, a veneer of novelty, while at best, produces some of the most exciting rock around. For some years, Evanescence provided my fix in this area, but their focus was lost long, long ago, and their place in my affections has been supplanted by Canada’s most splendidly purple goth-synth-rock group, The Birthday Massacre. Whereas Evanescence hit the ground running, producing outstanding work from their first single onwards, The Birthday Massacre have taken numerous releases over no less than a decade to reach a place of maturity, the latest and most outstanding example of which is their new album, released a few days ago, Pins and Needles. Read more