The Divine Comedy

Bang Goes The Quality Control: The Divine Comedy

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While 5:4 isn’t a forum where i’d like to spend much time discussing bad music, there are times when one feels compelled to say something, simply out of a sense of duty to one’s fellow humanity. This is especially the case when an artist who, generally, has received a fair amount of praise and respect, starts to lose their marbles and inflict audiences with something far less worthy. Apropos: The Divine Comedy – Bang Goes The Knighthood.

To be fair, signs of Neil Hannon’s creative decline have been evident for a while, nowhere more so than the inept and, frankly, bizarre farrago he proffered last year as one half of The Duckworth Lewis Method. It was a self-indulgent, shameful album, the one good song (“The Age of Revolution”) turning out to be a slap in the face when followed by such half-hearted, stupid effluvia. i can’t have been the only person shocked to find Neil Hannon actively involved in such an album; in hindsight, it did at least unwittingly prepare one for the experience of Bang Goes The Knighthood. Read more

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Mixtape #16 : Vox Masculus (In Memoriam Ian Curtis)

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Thirty years ago, Ian Curtis, lead singer and prime mover of Joy Division throughout its short-lived existence, took his own life. i can’t and won’t claim to have known anything about this at the time (being a mere six years old, my own musical journey had barely begun, let alone made it as far as the emerging post-punk scene), and i continued to know nothing of Joy Division until around 1982, when the combination of buying the 12″ vinyl of “Blue Monday” (on a whim; i liked the artwork) and my growing fondness for the more gothic end of the growing indie scene made me conscious of Joy Division’s significance. Undoubtedly worthy albums, Unknown Pleasures and the posthumous Closer only begin to hint at where the band might have gone next; whether it would have led down the same path as that taken by New Order is impossible to guess. The death of a celebrity interests people for all the wrong reasons; what matters is that Curtis was a fascinating creative individual, whose talents as a singer and a lyricist had only just begun to reach fruition. It seems entirely appropriate, therefore, to dedicate this new mixtape – focusing on male vocalists – to Ian Curtis’ memory. Read more

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