The Flashbulb

Mix Tape #40 : Miniatures

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Even more than is usually the case, the new 5:4 Mix Tape is a pure stream of consciousness. i’ve returned to a theme i explored in one of the earliest mix tapes, miniatures, once again setting myself a limit of music lasting under two minutes. With a shortlist of 100+ tracks (each one a personal favourite), i then simply followed my nose, treating them as puzzle pieces for a newly-created jigsaw, or perhaps more accurately as tessera for an eccentric aural mosaic. As usual, they embrace a mixture of new and old, and stylistically it’s all over the place, though its narrative was entirely suggested by the material, sometimes dovetailing or morphing, elsewhere successive tracks acting as rude non sequiturs. Along the way you’ll encounter abrasion (Alejandro Jodorowsky, Naked CityBenjamin Wallfisch (whose IT soundtrack is gleefully insane), aTelecine), playfulness (Syd Dale, Andrew Liles, Camille), moody atmospheres (Laura Sheeran, SupersilentVangelisOlga Neuwirth, Beacon, Gareth Davis & Machinefabriek, Alva Noto, Ben Lukas Boysen), edgy lyricism (Zola Jesus, Elsiane, Gazelle Twin, Clark, Jenny Hval), convoluted beats (Don DavisZavoloka & AGFThe Flashbulb, Derek K Jeppsen, Shad[]wb[]x, Ryoji Ikeda), drama of various hues (James Newton HowardPeter AblingerVeli-Matti PuumalaClaude Vivier), dreamy ambient (Bad Loop, The Real Tuesday WeldCliff MartinezGet Well SoonMonty AdkinsAphex Twin), rich tonal yum (Marcel Dupré, Carpenters, Cyrillus KreekTõnu Kõrvits) and various other electronic, experimental or otherwise unconventional amuse-bouches (Francis DhomontFrank ZappaNicolas ObouhowAndrew Lloyd Webber (yes, really), Sophie, Steve LevineJohn ZornKenneth Kirschner). And all of this in just one hour.

48 tiny tracks ranging in duration from 1’59” to a mere 26 seconds. Here’s the tracklisting in full, together with links to obtain the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mix Tape #39 : Days

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The new 5:4 mix tape takes as its theme the days of the week, charting a slow progression from Monday to Sunday. That might not sound like a particularly promising theme, but i’ve been noticing in recent months just how many tracks in my music library contain either specific or more general references to days, which led to the idea for this mix tape. Perhaps unsurprisingly, due to it being (from an aural perspective) such an abstract concept, the music in this mix tape is more than usually eclectic, but once i again i’ve been able to navigate what i think is a convincing, interconnected sonic pathway through exceptionally diverse material. This exercise was revealing in the extent to which some days of the week have received a greater amount of musical attention, while others are much more neglected. This clearly has more than a little to do with our cultural experiences and exploits: plenty of music to choose from for the weekend – when we’re more likely to be away from work, enjoying ourselves – while Tuesday and Wednesday in particular provided relatively few options (though good ones). Read more

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Mix Tape #34 : Summer

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As the UK seems to be going through a never-ending heatwave at the moment, it seems entirely appropriate to devote the new 5:4 Mix Tape to music connected (at least in name) with the summer. Interestingly, this was a little harder to put together than the autumn mix from nine months ago, but the result is nonetheless a nicely eclectic collection of tracks festooned with references to summer, sunshine and heat. It embraces electronica new and old (Andrew Liles, Vangelis Katsoulis, Autechre, Pram, Plaid, Boy Is Fiction), some fittingly laid-back noodlings (The Flashbulb, The David Whittaker Orchestra, The Real Tuesday Weld, Yellowjackets), classical strains from Maurice Jarre‘s sweltering score for Lawrence of Arabia and Max Richter‘s inventive rethinking of Vivaldi, a brace of intense songs (Pantaleimon – practically swooning here, and Anna von Hausswolff) and electronics with or without field recordings (aTelecine, Jonathan Coleclough, Michel Redolfi). Pervading the mix tape are several bursts of ambient music, for me one of the best kinds of music for really hot days, represented here by Chubby Wolf, Shane Carruth (blink and you’ll miss him), Celer (from one of their most beautiful tracks ever), Stendeck, Evan Caminiti and, to finish, 36.

90 minutes of heat-stricken blaze and bliss; here’s the tracklisting in full: Read more

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Mix Tape #33 : Purple

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For the new 5:4 Mix Tape i’ve rather whimsically adopted my favourite colour—purple—as the theme. That colour invites a host of hues and shades, so the mix includes track titles alluding to the entirety of that part of the spectrum, including heliotrope, lavender, fuchsia, pink, plum, magenta, indigo, amethyst, violet and even ultraviolet. Such an oblique connection has enabled me to unleash a more-than-usually eclectic selection, taking in piano works (Ramon Humet, Luke Stoneham, George Crumb, David Rakowski), synthpop (John Foxx & Louis Gordon, Frida Sundemo), ambient (Peter Wright, Specta Ciera, Frond, Saturday IndexDick Mills, The Denisovans, Tor LundvallDarren Harper), rock – electronic, math and (ir)regular (Nine Inch Nails, Frank Zappa, Sleeping People), easy listening (Enoch Light), electronica (World’s End Girlfriend, Time Attendant, Bauri, The Flashbulb, Labyrinth Ear, Da Wei), avant garde classical (Chiyoko Szlavnics, Aaron Cassidy), folk (Steve Peters), indie pop (StopTalk, The William Blakes), fusion (David Murphy), drum and bass (Tim Exile) and noise (K2). Read more

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Mix Tape #25 : Best Albums of 2012

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HAPPY NEW YEAR TO YOU ALL!

Today marks 5:4‘s fifth anniversary, and so i’d like to take this opportunity to thank all of you who regularly read, share and respond to the articles and music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time and attention. i very much hope that 5:4 can grow and become even more interesting and useful in the next five years; all comments, criticisms, suggestions and other feedback is always very warmly encouraged.

But to return to the present, and to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft and very loud indeed. As ever, if you like what you hear in the mix, please support the artists and buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, and so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

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Best Albums of 2012 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

This is a list surrounded by other lists leading to other lists, lists … that explain everything by being gateways into worlds of sound, feeling and information…
…the love of making lists is an attempt to remind us of what it is that has happened, and what is happening, all at once, as time and humanity collapses into itself. …
The list is a collage of hopes and wishes, of knowledge and exhibitionism.
(Paul Morley, Words and Music)

So we move on to the list of lists, the forty albums that have made the greatest impact over the last twelve months. Here are the first twenty to have made the cut.

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Mix Tape #20 : Dancefloor

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Happy Easter!. Having finally emerged from the dark days of Lent, i thought it would be fitting to have a new mix tape, with an upbeat theme. As i’ve mentioned on previous occasions, dance music has always been a parallel love of mine alongside the avant-garde, and this mix tape will, i hope, prove to be an irresistable selection. As always, there’s a mix of old and new, the oldest being around 13 years old, the newest released last month.

Delphic were included in the BBC Sound of 2010, not exactly a good sign to be sure, and while they’ve failed (as yet) to distinguish themselves, this song isn’t at all bad, and this remix makes it perfect. Above and Beyond are, in my view, the champions of contemporary trance music, and they feature on this mix tape four times; “Stealing Time” is one of the standout tracks from their lovely album Tri-State, released 5 years ago. Connected to Above and Beyond via their Anjunadeep label is Michael Cassette; this is his latest single, a delicious throwback to 1980s synths. Ahead of Delphic in that dreaded BBC 2010 list was Marina Diamandis, better known as Marina and the Diamonds; she’s proved herself to be a real talent, and while “I Am Not A Robot” is pop perfection as it stands, this hard-to-find remix is outstanding. If you’ve never heard of Bloodgroup, they’re an up and coming band from Iceland, specialising in a rather unusual brand of electropop (with occasional similarities to The Human League); this track comes from their latest album and is a good introduction to their music. Read more

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