The Irrepressibles

St Martin’s in the Bullring, Birmingham: The Irrepressibles

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i can’t let the week come to an end without making some comment about a concert i attended last Wednesday in Birmingham. Hosted by the church of St Martin’s in the Bullring—finally getting itself really sorted as a top-notch concert venue (my ensemble Interrobang performed there back in May)—it was the second in a short series of gigs given by the remarkable group The Irrepressibles, whose debut release Mirror Mirror has been jangling around in the 5:4 jukebox for most of this year.

The prospect of support acts always sets me on edge; many’s the time my eager anticipation for a concert has been dissipated by a support act unworthy of or unsuited to the occasion. Not so in the case of Thomas Truax, one of outsider music’s more ingenious and genuinely entertaining figures, every bit as irrepressible as the headline act. He brought a cluster of his trademark handmades, including ‘Mother Teresa’ (replete with “removable limbs”), the off-kilter rhythmic patter of which lends Truax’s songs a wonderfully unbalanced quality, and perhaps his most famous accoutrement, the ‘Hornicator’, a cross between a brass instrument and a gramophone horn, which Truax sang through and percussively struck with gusto Read more

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Mixtape #16 : Vox Masculus (In Memoriam Ian Curtis)

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Thirty years ago, Ian Curtis, lead singer and prime mover of Joy Division throughout its short-lived existence, took his own life. i can’t and won’t claim to have known anything about this at the time (being a mere six years old, my own musical journey had barely begun, let alone made it as far as the emerging post-punk scene), and i continued to know nothing of Joy Division until around 1982, when the combination of buying the 12″ vinyl of “Blue Monday” (on a whim; i liked the artwork) and my growing fondness for the more gothic end of the growing indie scene made me conscious of Joy Division’s significance. Undoubtedly worthy albums, Unknown Pleasures and the posthumous Closer only begin to hint at where the band might have gone next; whether it would have led down the same path as that taken by New Order is impossible to guess. The death of a celebrity interests people for all the wrong reasons; what matters is that Curtis was a fascinating creative individual, whose talents as a singer and a lyricist had only just begun to reach fruition. It seems entirely appropriate, therefore, to dedicate this new mixtape – focusing on male vocalists – to Ian Curtis’ memory. Read more

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