Three Trapped Tigers

Mix Tape #37 : Best Albums of 2016

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HAPPY NEW YEAR!

i’m starting 2017 in the usual way, with a mix tape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mix tape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mix tape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 2)

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Here they are, then: the best of the best of 2016, each and every one of them packed full of the rarest imagination, invention and ingenuity. i can’t recommend them highly enough.
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Mix Tape #30 : Prime Numbers

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For the new 5:4 Mix Tape, i’m not so much exploring a theme as a conceit. Mathematics has been a recurring feature of both my compositional and recreational activities lately, so for this new mix tape i’ve compiled a selection of music the titles of which incorporate the first 21 prime numbers. It was, i should say, quite a challenge, but the result is, i think, a highly stimulating mixture of exquisite non-sequiturs and unexpected aural connections. The mix is in part characterised by the presence of line, from a host of oblique angles, including jazz (Tartar Lamb II), avant-garde (John Zorn), math rock (Three Trapped Tigers), neo-Wendy Carlos retrosynthtronics (Laibach), indeterminacy (Kenneth Kirschner), counterpoint in extremis (Conlon Nancarrow), bassline-driven electronica (Last Step), post-romantic ecclesiastical dreaminess (Marcel Dupré) and lo-fi intimacy (Kid Koala). Elsewhere texture predominates, either with a harmonic underpinning (Ochre, Celer, Nine Inch Nails (but only just), Dick Mills, V/Vm) or from a percussive/glitch/noise perspective (At Jennie Richie, Ryoji Ikeda, Paul D. Miller, Bass Communion, @c). Read more

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A crazily convoluted crucible of ideas: Three Trapped Tigers – Numbers: 1–13

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Turning away from the Lent series for a bit, for some time now i’ve been itching to write about Three Trapped Tigers. They’re a trio of musicians from London, and despite the fact they consist of keyboards, bass guitar and drums, despite the fact their music is given labels such as ‘math rock’ or ‘instrumental noise rock’, and despite the fact their live gigs subject one’s eardrums to the kind of pummelling one might expect from, say, Meshuggah, it just doesn’t feel right to describe them as a ‘band’. Superficially, they fit the mould, but their music is significantly different—in both conception and execution—from pretty much everyone else of that ilk.

Their debut album, Route One or Die, was released last year, and the fact i placed it second on my Best Albums of 2011 perhaps says something. It’s an astonishing tour de force of heavyweight invention and lightweight agility, but this shouldn’t have come as a surprise to anyone. For a full three years beforehand, Tom Rogerson (keyboards/vocals), Matt Calvert (guitar/electronics) and Adam Betts (drums) evolved their unique mode of expression through a series of 13 compositions; simply numbered in order rather than given names, these pieces were released on three EPs with similarly functional titles, EP (2008), EP2 (2009) and EP3 (2010). Released in relatively small quantities, these EPs have became hard to find, so they’ve recently been re-released both as digital downloads as well as on a “remastered” compilation album, Numbers: 1–13; more about these later.
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Mix Tape #22 : Best Albums of 2011

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A very HAPPY NEW YEAR to you all! 5:4 is four years old today, & as in previous years, here’s a new mix tape showcasing the music from my best albums of 2011. One track from each of them—in total, 3½ hours of eclectica to start the new year in real sonic style. Do, please, support all the artists if you like what you hear (& you will!); links to buy their excellent music are included on the previous few days’ posts.

Here’s the full tracklisting (click the image for high-res artwork):

Uh Huh Her – Wake To Sleep (from Nocturnes)
This Will Destroy You – Black Dunes (from Tunnel Blanket)
Philippe Petit – 03 nyctalopia (from Nyctalopia)
Kate Havnevik – Mouth 2 Mouth (from You)
Aleks Kolkowski & Ute Wassermann – nor’easter (from Squall Line)
Kate Wax – Maze Rider (Live From The Cave) (from Dust Collision)
Arlene Sierra – Surrounded Ground – III. Egress (from Arlene Sierra Vol. 1)
John Cage – 109 [One8 and 108] [excerpt] (from 108/109/110)
Autechre & The Hafler Trio – ha3oe [excerpt] (from ae3o3)
David Lynch – Bass D Dark Stairway (from INLAND EMPIRE (Original Motion Picture Score))
Patrick Wolf – House (from Lupercalia)
Roly Porter – Al Dhanab (from Aftertime)
Braids – Plath Heart (from Native Speaker)
Deerhoof – Super Duper Rescue Heads! (from Deerhoof vs. Evil)
Talvihorros – Beta (from Descent Into Delta)
Christopher William Anderson – An End To Calm (from Moskenstraumen)
Stephan Mathieu – A Static Place Ia [excerpt] (from A Static Place)
Frank Zappa – Worms From Hell (from Feeding The Monkies At Ma Maison)
Leyland Kirby – Eventually, it eats your lungs [excerpt] (from Intrigue & Stuff Volume 2)
Celer – Part II [excerpt] (from Noctilucent Clouds)
Merzbow – Kamadhenu (Part 1) [excerpt] (from Kamadhenu)
Ulver – Providence (from Wars of the Roses)
Chubby Wolf – Deeper and the Damage From (from Los que No Son Gentos)
aTelecine – The Smuggler (Draft One) (from A Cassette Tape Culture Phase Two)
Akita / Gustafsson / O’Rourke – Two Bird [excerpt] (from One Bird Two Bird)
Tartar Lamb II – Polyimage of Known Exits: 3rd Movement [excerpt] (from Polyimage of Known Exits)
Hecq – With Angels (from Avenger)
Jenny Hval – Engines in the City (from Viscera)
Björk – Hollow (from Biophilia)
Ektoise – There and Here (from Kiyomizu)
Svarte Greiner – Twin [excerpt] (from Twin)
Access to Arasaka – Ixion (from Geosynchron)
Grutronic and Evan Parker – Mesomerism In Rhythm [excerpt] (from Together In Zero Space)
Xela – Charm [excerpt] (from Exorcism)
Black Swan – White Mourning (from The Quiet Divide)
Fovea Hex – Falling Things (Where Does A Girl Begin?) (from Here Is Where We Used To Sing)
Indignant Senility – Side B [excerpt] (from Blemished Breasts)
Monty Adkins – Memory Box (from Fragile.Flicker.Fragment)
Three Trapped Tigers – Magne (from Route One Or Die)
The Mount Fuji Doomjazz Corporation – Function (from Anthropomorphic)

Mix Tape #22: (Best Albums of 2011)

MP3 [347Mb]

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Best Albums of 2011 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

A list gives us the surface of something, and that leads to another list, which contains more surface, and from there, more lists, and more surface. The lists make up the surface of the universe, and the fact that the lists lead to other lists, […] list upon list leading to list upon list, it all helps supply the hidden depth in the universe. The depth where things start to get really interesting.” (Paul Morley, Words and Music)

Here’s the conclusion of my own list, with my favourite 20 albums of 2011: Read more

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Mix Tape #21 : Noise

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With noise is born disorder […] In noise can be read the codes of life, the relations among men. Clamor, Melody, Dissonance, Harmony […] when it becomes sound, noise is the source of purpose and power, of the dream—Music.

Stirring words from the opening chapter of Jacques Attali’s marvellous book Noise: The Political Economy of Music, and noise is the focus of the new 5:4 Mix Tape. As such, i suppose it could be deemed the least accessible of these mixes, although my interpretation of noise here extends beyond fortissimo walls of abrasion; there’s a lot more to noise than just that.

Three of Alva Noto‘s miniature renderings of computer files pepper the mix, blurring the distinction between active and passive compositional intent. To some extent, the same could be said of Richard James’ AFX track ‘Ktpa2’, one of a pair of ferocious static blasts that remain his most brutal music to date. Most of the tracks included here, though, are less single-minded than these, and drag a variety of æsthetic manners into their obstreperous orbits. Three Trapped Tigers (whose first album is one of this year’s most outstanding releases) explore a complex amalgam of math rock and glitch, while Ukranian soundscapists First Human Ferro put noise at the core of their paradoxically radiant dark ambient. Japanese experimentalist Lethe takes hard metallic field recordings in abandoned resonant spaces as his starting point, while Nine Inch Nails do what they do best tucked away deep in the bowels of a studio. Noise is a sine qua non of all music with a hauntological aspect, heard here in the hissy nostalgia of Black Swan and the searing, gritty glitter of The Stranger (in my view, Leyland Kirby’s most riveting persona). My own work the Ceiling stared at me but i beheld only the Stars is a large-scale conflict between noise and pitched material; the excerpt included here is from the centre of the piece, where bell-like pitches first emerge. One could hardly have a noise mix tape without Merzbow; i’ve included part of the opening track from one of his latest albums, a typically kaleidoscopic feast of electronic mayhem. At the end comes a fittingly curt signing-off by Thomas Bangalter, from his soundtrack to Gaspar Noé’s film Irréversible. Read more

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