Tobias Broström

Proms 2019: Peter Eötvös – Alhambra; Tobias Broström – Nigredo: Dark Night of the Soul (UK Premières)

Posted on by 5:4 in Festivals, Premières | 2 Comments

The last two premières at the Proms have both been concertos: Alhambra, the third violin concerto by Peter Eötvös, and Nigredo: Dark Night of the Soul, a double-trumpet concerto by Swedish composer Tobias Broström. It’s been interesting to note how their overall approach to narrative is, at a fundamental level strikingly similar, while their respective modus operandi could hardly be more different.

As the name suggests, the inspiration for Eötvös’ Alhambra is the eponymous ninth century palace in Granada. By his own admission, Eötvös hadn’t been to visit the Alhambra before writing the piece (his first time in Granada was at the work’s world première earlier this month); the concerto is instead an imaginary walk around the palace complex and grounds. The nature of this walk, emphatically led by the violin throughout (with a scordatura mandolin as an occasional sidekick), is capricious. Its outlook is divided, inexorably drawn back and forth between impulses that tend to the reflective and the jaunty. The oscillating effect of this is demonstrated in the opening minutes: the violin’s opening solo, ostensibly searching, is suddenly forgotten in a flash of flamboyance; withdrawing inward, the music then opens out into a high register burst of lyricism, surrounded by chiming percussion – something that will recur several times during the piece – before descending into a rollicking sequence of pure merriment with the rest of the orchestra.

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