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Stark and unanswerable: John Sanders – The Reproaches

Posted on by 5:4 in Lent Series, Seasonal | 6 Comments

Each year, on this, its most solemn day, i used to travel to Gloucester Cathedral for the morning Liturgy. Their approach, while lacking a true sense of the abject, was fittingly sombre, particularly at the service’s central point, the Veneration of the Cross. The moment is crushing enough, filing to the high altar to face the Cross and all it signifies, but the Cathedral then crowns it by performing John Sanders‘ setting of The Reproaches. The Cross before me; Sanders’ music behind me; on all sides the unavoidable, unanswerable, questions posed by the refrain:

O my people, what have I done to you? How have I offended you? Answer me! Read more

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Hoping against hope: Thomas Adès – Gefriolsæ me

Posted on by 5:4 in Lent Series, Seasonal | Leave a comment

It was at a concert in the spring of 1995 that i first encountered the music of Thomas Adès. The piece was Living Toys, and it was significant to my own development as a composer; i came away from the concert with a new vigour, determination and excitement about the music i wanted to create. Tom and i became mild acquaintances, and i even went to spend an afternoon with him in Cambridge, to discuss my work. While i don’t follow his music as closely as then, i still find it fascinating, and feel he’s one of this country’s more interesting composers.

A CD of Living Toys was released in 1998, and tucked quietly onto the end of that disc is a short work for male voices, entitled Gefriolsæ me. The text is an Anglo Saxon rendering of part of a verse from Psalm 51, a psalm that, due to its powerful penitential sentiments, is closely associated with Lent:

Gefriolsæ me of blodum, God hælu mine.
(“Deliver me from bloodguiltiness, O God my saviour.”) Read more

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Autechre, and the Question of Quaristice

Posted on by 5:4 in CD/Digital releases | 9 Comments

Prior to the launch of Quaristice, Autechre‘s Sean Booth said the following, in an interview with Clash Magazine, concerning the issue of whether to buy the digital download or the physical CD:

It makes no odds to me. Actually, it does; I’d prefer (people) to download it than buy it physically. It fits our agenda much better that way. Our plan has never been to produce CDs – it’s always been about making music. If there’s a way of charging for it and getting the content to people, then we’ll adopt whichever is the most transparent. The actual product is the FLAC file – but I don’t object to those who want to own something that they can hold.

In itself, this is a valuable and thought-provoking addition to the debate which has been rearing up increasingly often over the last few years. But returning to this specific example, i think one needs to consider Booth’s comments in the light of the fact that Quaristice has been released in two editions, the latter of which – including a bonus CD of re-worked and alternative versions of the tracks on the main album – was a limited edition of only 1,000 copies, with no digital download option. Is it me, or is there a contradiction here? That tracks of such quality and importance – both within Autechre’s oeuvre and electronic music more widely – should be denied to the majority of their listeners seems clearly at odds with Sean Booth’s intentions. If we are to take Booth at his word, that Autechre is only concerned with “making music” and getting it out by “the most transparent” methods possible, it’s ridiculous to release a special edition of the album in this way. Furthermore, copies are already appearing on eBay for sums well in excess of £100 (they were sold for £25), which makes Autechre’s claimed intentions even more ludicrous. Of course, the special edition could be a ruse by Warp to increase interest and generate extra income; but somehow i doubt it, as Warp has always (seemed to) put its artists’ intentions as paramount. Read more

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Delicate and damaged; broken and beautiful: Burial

Posted on by 5:4 in Miscellaneous | Leave a comment

Listening to as much music as i do, it’s quite rare to come across something that’s truly surprising. While surprises aren’t as rare as shocks (which are becoming extinct, it seems), they’re elusive nonetheless, and when they do happen it’s exciting and compelling. Those two words apply well to the music of Burial, who emerged seemingly from nowhere in late 2005. Things haven’t changed much since then; somehow, he’s managed to remain anonymous – a handful of people, apparently, know who he is – which is a remarkable achievement. Not as remarkable an achievement as his music, however, which breaks apart the relatively flimsy ideas of dubstep and garage, and creates delicate, damaged objects from the pieces. In fact, brokenness is a quality that pervades all his work, an innate sense of the tragic; Burial is casting his eyes over the world around him and clearly finds the spectacle saddening.

It takes someone with acute sensibilites to say something so stark and emotive through a music of this kind; all the more reason, i suppose, why such a critical source as The Wire named Burial’s eponymous first album as its 2006 Album of the Year. From the opening, untitled, track onwards, there’s an air of mystery cloaking his music, and yet simultaneously it sounds very familiar, very British (a title like “Gutted” affirms its Englishness). Listening to Burial is to be transported to the streets of a city suburb, beneath nocturnal rain; the most telling tracks bespeak devastation in very different ways. Read more

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Floating back to happiness: Goldfrapp – Seventh Tree

Posted on by 5:4 in CD/Digital releases | Leave a comment

Good music likes company, it seems, as three CDs came through my letterbox this morning, Autechre‘s Quaristice – strange, as it’s not released until Saturday – and Gantz Graf (which i’ve loved for years, but only now got round to buying), plus Goldfrapp‘s new album Seventh Tree, released yesterday. i therefore took time off from my compositional/Autechre duties this morning, to hear finally what Goldfrapp has been up to. i have the deluxe edition, which is quite a package, coming in a small box…

… with the CD, … Read more

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