United Bible Studies

Mixtape #19 : Best Albums of 2010

Posted on by 5:4 in Best of the Year, Mixtapes | 3 Comments

HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mixtape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2010 (Part 2)

Posted on by 5:4 in Best of the Year | 5 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010: Read more

Tags: , , , , , , , , , , , , , , , , , ,

United Bible Studies – The Gascoigne Observatory

Posted on by 5:4 in CD/Digital releases | Leave a comment

A few months ago, United Bible Studies made available in digital form their debut release, Stations of the Sun, Transits of the Moon, which first saw light of day as far back as 2003. Listened to beside the group’s latest album, The Gascoigne Observatory, released last month, makes for a fascinating and revealing contrast. In short, United Bible Studies have come a long way – so far, in fact, that their rough-hewn, folk origins are a distant memory, out of sight and most definitely out of mind.

Yet, while the language and mode of expression heard on The Gascoigne Observatory may bear little resemblance to earlier releases, the group’s strongest and most deeply-rooted characteristic – music emanating from improvisation – is more evident than ever before. And not just evident either; the fluid, coherent way in which the album’s single, 36-minute track unfolds is nothing short of breathtaking. Put simply, there’s not one single moment that doesn’t seem to make perfect sense with what went before; the sense of direction is impeccable, always straight and true, and this alone makes it a remarkable accomplishment. Read more

Tags: , , ,