voidesque

Best EPs of 2013

Posted on by 5:4 in Best of the Year | Leave a comment

So, having listened to no fewer than 261 EPs and albums released this year, it’s time to distil that listening into the annual Best of the Year lists. As always, we’ll start with the ten most exceptional EPs. Read more

Tags: , , , , , , , , ,

Mix Tape #25 : Best Albums of 2012

Posted on by 5:4 in Best of the Year, Mix Tapes | 7 Comments

HAPPY NEW YEAR TO YOU ALL!

Today marks 5:4‘s fifth anniversary, and so i’d like to take this opportunity to thank all of you who regularly read, share and respond to the articles and music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time and attention. i very much hope that 5:4 can grow and become even more interesting and useful in the next five years; all comments, criticisms, suggestions and other feedback is always very warmly encouraged.

But to return to the present, and to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft and very loud indeed. As ever, if you like what you hear in the mix, please support the artists and buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, and so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2012 (Part 1)

Posted on by 5:4 in Best of the Year, CD/Digital releases | 1 Comment
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

This is a list surrounded by other lists leading to other lists, lists … that explain everything by being gateways into worlds of sound, feeling and information…
…the love of making lists is an attempt to remind us of what it is that has happened, and what is happening, all at once, as time and humanity collapses into itself. …
The list is a collage of hopes and wishes, of knowledge and exhibitionism.
(Paul Morley, Words and Music)

So we move on to the list of lists, the forty albums that have made the greatest impact over the last twelve months. Here are the first twenty to have made the cut.

Read more

Tags: , , , , , , , , , , , , , , , , , , , , ,

Emancipated beats: voidesque – as if it never existed

Posted on by 5:4 in CD/Digital releases | 1 Comment

Despite my fondness for more avant-garde beat-oriented music, for a long time it’s been disappointing to see the current state of such idioms overshadowed by its champions. The likes of Aphex Twin, Autechre and Aaron Funk have, on the one hand, deeply moved and inspired composers and musicians to seek to explore what can be done with beats that doesn’t necessarily have anything to do with dancing, while on the other hand intimidating these same musicians to the point of pastiche and parody. It’s possible to count the really imaginative beat-artists of the last decade on one hand. All the more reason, then, to celebrate someone who brings some fresh invention to the genre.

Derek Jeppsen is a composer based in San Diego, California, a recent graduate in electroacoustic composition, and he piqued my interest when i read the description of his first release:

The album is really quite simple, and draws from certain things that may seem antiquated (drum samples), but this collection is about staying away from my “sound art” experiments and academic work. Many “popular” idioms make it to my music (use of a beat, repetition, etc.), but also many things that wouldn’t fit that context, especially in the rhythmic and form realms (polymeter, metric modulation, tempo changes), which often reflect the fact that I play Javanese gamelan professionally. The album is generally about creating an atmospheric artistic space, and including some stylized elements from dance music. There are also moments about randomness and aggression, and one of the tracks is an algorithmic composition, generalizing “beats” and playing with modal melodic generation.

Read more

Tags: ,