CBSO Centre, Birmingham: Ryoji Ikeda – datamatics [ver.2.0]

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Nick

I saw the North American premiere of this, and it was stunning. The ramifications of working with such extreme scales (from the genome to the cosmos) are delightful: simultaneously frenetic and measured, forensic and euphoric.

I wrote up the show at Harvard here.

[…] conducted the UK première of his string piece Op. 1, explored his audiovisual work datamatics in Birmingham and London, as well as his later forays into non-electronic music, Music for Percussion and 100 […]

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