The majority of my written output can be found here on 5:4; the below list summarises some of my writing published and presented in other places.
- liner notes for Henrik Hellstenius – Public Behaviour, BIS, February 2024
- liner notes for Sanae Yoshida – My Microtonal Piano, LAWO, January 2024
- “New music in the borderland“, (published in Estonian), Sirp, 17 November 2023
- “Abstract music from the soul“, (published in Estonian), Sirp, 19 May 2023
- “A song for the head and the heart: the music of Tatjana Kozlova-Johannes“, (published in Estonian), Sirp, 13 April 2023
- “Music and real-life“, liner notes for Henrik Hellstenius – Places of Sounds and Words, LAWO, December 2022
- “The 10 Symphonies of Erkki-Sven Tüür” (published in Estonian), Sirp, 23 September 2022
- “The Baltic Music Days: Language, identity, personality” (published in Estonian), Sirp, 28 May 2021
- “Liminal (un)reality“, liner notes for Gunnar Geisse – TRIPTYCH, NEOS, November 2020
- “Reading the surface: an introduction to Muohta“, Lydkilder (ed. Hild Borchgrevink), Pelikanen, November 2020
- “Son e(s)t Lumière: Expanding notions of composition, transcription and tangibility through creative sonification of digital images“, in Sound and Image: Aesthetics and Practices, Routledge, June 2020
- “Making connections to Baltic personalities” (published in Estonian), Sirp, 4 October 2019
- “Music Beyond Airports: appraising ambient music” (co-editor with Monty Adkins), The University of Huddersfield Press, July 2019
- “Which was the out of place ‘other’?” (published in Estonian), Sirp, 24 May 2019
- “Holy Things“, Dissonance, No. 143, September 2018
- “Intense, uncompromising and raw” (published in Estonian), Sirp, 13 July 2018
- “A Conversation with Monty Adkins“, Tempo, Vol. 72 No. 285, July 2018
- “Beyond mere novelty“, Dissonance, No. 142, March 2018
- “Interpretations of holiness” (published in Estonian), Sirp, 27 April 2018
- “Working towards utopia: Stockhausen’s epic vision and the development of aus LICHT“, Bachtrack, 21 March 2018
- “Learning to Lose Control: Composition, Computation and Collaboration with CloudCube “, paper presented at 2nd Computer Simulation of Musical Creativity conference, September 2017, The Open University
- “Ingenuity and Inadequacy“, Sounds Like Now, Issue 3, July 2017
- “The film music of John Williams: the makings of an aesthetic“, Bachtrack, 17 May 2017
- “Predictably unpredictable“, Dissonance, No. 137, March 2017
- “Cloud Triptych: an exploration of stochastic movement between discrete musical behaviours“, thesis accompanying Ph.D. composition portfolio, November 2016 (revised March 2017)
- “Towards an embodiment of compositional practice: the ongoing evolution of CloudCube“, paper presented at 1st Computer Simulation of Musical Creativity conference, June 2016, Huddersfield University
- “Pop Wall Alphabet: an introduction“, Pop Wall Alphabet, Marko Ciciliani (private publication, 2015); also published in Seiltanz, Issue 12, April 2016
- “Paradoxes everywhere“, liner notes for Kenneth Kirschner – Compressions & Rarefactions, 12K, July 2015
- “Change, chance, character – the use and development of probabilistic ‘singularities’“, paper presented at Music and/as Process Conference, May/June 2014, Canterbury Christ Church University
- “Determined/Indeterminate: An Exploration of the Music of Kenneth Kirschner” and “Conversation: Simon Cummings and Kenneth Kirschner“, Imperfect Forms: The Music of Kenneth Kirschner (ed. Tobias Fischer), Tokafi, December 2014
- “Tokaido Road“, Opera, Vol. 65 No. 9, September 2011
- “A reflection of dreams: the music of Unsuk Chin“, La Tempestad, Vol. 13 No. 78, May–June 2011