Madli Marje Gildemann

An in previous years – and perhaps inevitably, for reasons of practicality – the majority of the concerts at this year’s World New Music Days were focused on chamber music.

There’s a striking image i vividly recall from when i first watched David Attenborough’s The Private Life of Plants. It featured time-lapse photography, focusing on a small, seemingly insignificant tendril lying on the ground. Through this simple act of televisual time dilation, we were able to cross the relativistic divide …

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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more

To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more

To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more

To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more