The new 5:4 mix tape takes as its theme the days of the week, charting a slow progression from Monday to Sunday. That might not sound like a particularly promising theme, but i’ve been noticing in recent months just how many tracks in my music library contain either specific or more general references to days, which led to the idea for this mix tape. Perhaps unsurprisingly, due to it being (from an aural perspective) such an abstract concept, the music in this mix tape is more than usually eclectic, but once i again i’ve been able to navigate what i think is a convincing, interconnected sonic pathway through exceptionally diverse material. This exercise was revealing in the extent to which some days of the week have received a greater amount of musical attention, while others are much more neglected. This clearly has more than a little to do with our cultural experiences and exploits: plenty of music to choose from for the weekend – when we’re more likely to be away from work, enjoying ourselves – while Tuesday and Wednesday in particular provided relatively few options (though good ones). Read more
Mix Tape #39 : Days
Tags: Asobi Seksu, aTelecine, Bat For Lashes, Brian Eno, Carlo Gesualdo, Cemeteries, Charlie Byrd Orchestra and Chorus, Christ., Chrome Hoof, Chrysta Bell, Client, CocoRosie, Colin Andrew Sheffield, Desire, DJ Phoenix, Emiliana Torrini, Emmy Rossum, Free*Land, Get Well Soon, István (Judy) Faragó, Kate Havnevik, Leah Kardos, Marco Blaauw, Mitski, Nordvargr, Noveller, Per Nørgård, Polish Radio Orchestra, Rose Elinor Dougall, Saddleback, SPC ECO, Stray Ghost, Sunken Foal, Tetra, The Cavendish Ten, The Flashbulb, The Noisettes, Thomas Newman, tomandandy, Tori Amos, Tsukimono, Ulrich Schnauss, Venetian Snares, Yannis Kyriakides, Yazoo