Ulrich Schnauss

Mixtape #58 : Virus

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Sometimes deciding a theme for a mixtape can be a time-consuming business – but not this time. If anything, not making viruses the theme for the new 5:4 mixtape would just feel like being wilfully contrary. So – a couple of weeks earlier than scheduled – here it is, a tour through some of my favourites that feel more than a little pertinent to the remarkable times we’re currently experiencing. Not surprisingly with a topic such as this, a lot of the music is serious in tone, though the way this is articulated varies widely. Many explore a quiet, often unsettlingly (in)tense simmering (Nine Inch NailsJohn Oswald, Bass CommunionVykintas Baltakas, The Noisettes, Angelo Badalamenti & David Lynch), occasionally featuring hot surges (Brian McOmber, Cat Temper, Ramin Djawadi, SaffronKeira, Toru Takemitsu, Necro Deathmort, Andrew Liles, Daphne Oram, Paul Haslinger). Some go beyond these limitations into ferocious incandescence (Man Without Country, Pan Sonic, Si Begg, Reza Solatipour), the complete opposite, eerie calm (Coleclough & Murmer, Ulrich Schnauss, Justin Hurwitz), or pounding, edgy regularity (Joseph Trapanese, Aria Prayogi & Fajar Yuskemal, Picture Palace Music). The rest channel their sentiments into fierce, forthright vocals (Björk, Chelsea Wolfe, Crystal Castles, Moderat, Lydia Lunch, Cabaret Voltaire, Hecq with Nongenetic). A short jingle from Raymond Scott is a closing tongue-in-cheek moment that i hope is forgivable in these trying circumstances.

Two hours of pandemically-related tracks and tropes that are, in a multitude of ways and in the absolute best sense, highly infectious and hard to shake off. Below is the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud.

These are difficult times we’re living through at the moment. i sincerely hope you’re all keeping as safe, fit and healthy as you can, and that you’re taking advantage of any imposed isolation or downtime to explore lots of new music. Best wishes to all of you, wherever you are. Read more

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Mixtape #54 : Menagerie

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For the new 5:4 mixtape, i’ve turned to the world of animals, assembling music that references a diverse collection of wildlife. All manner of beasts are featured, insects, birds, reptiles and amphibians in addition to mammals, from the smallest (probably, in this selection, a wasp) to the greatest (definitely, in this selection, a whale), and i’ve not entirely limited myself to reality, including a couple of pieces that pertain to non-existent creatures. The musical choices are similarly aesthetically eclectic, and on this occasion i’ve not sought to make strong stylistic connections throughout the mix but instead emphasise uniqueness: for the most part, none of the 38 tracks closely resembles any of the others.

In all, two hours of sonic zoology providing a veritable musical menagerie, ending with a small tribute to one of music’s great musical minds and voices, who sadly is no longer with us. Here’s the tracklisting in full, together with links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

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Mixtape #39 : Days

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The new 5:4 mixtape takes as its theme the days of the week, charting a slow progression from Monday to Sunday. That might not sound like a particularly promising theme, but i’ve been noticing in recent months just how many tracks in my music library contain either specific or more general references to days, which led to the idea for this mixtape. Perhaps unsurprisingly, due to it being (from an aural perspective) such an abstract concept, the music in this mixtape is more than usually eclectic, but once i again i’ve been able to navigate what i think is a convincing, interconnected sonic pathway through exceptionally diverse material. This exercise was revealing in the extent to which some days of the week have received a greater amount of musical attention, while others are much more neglected. This clearly has more than a little to do with our cultural experiences and exploits: plenty of music to choose from for the weekend – when we’re more likely to be away from work, enjoying ourselves – while Tuesday and Wednesday in particular provided relatively few options (though good ones).

Once again, the mixtape includes some of my favourite music, old and new, and i’ve divided it up into sections for each day, demarcated with interludes. A couple of composers appear several times: there are various excerpts from Nordvargr‘s 8-hour epic Sleep Therapy and some pieces from Gesualdo‘s Tenebrae music. i’ve drawn on my love of easy listening on a number of occasions too, featuring some delicious slices of fragrant cheese from Charlie Byrd, Orchestra and Chorus, the Polish Radio Orchestra and The Cavendish Ten. Songs of a multitude of stylistic persuasions litter the mix, encompassing electronica (Yazoo, Client, SPC ECO, Bat For Lashes, Kate Havnevik), ballad (Emiliana Torrini, Get Well Soon), dream pop (Emmy Rossum, Tori Amos, Mitski, Desire), manic pixie dream pop (CocoRosie), light rock (Chrysta Bell, Asobi Seksu), experimental chamber rock (Chrome Hoof) and lo-fi (Leah KardosRose Elinor Dougall). Devoid of words but packing diverse beats are tracks from Christ., The Flashbulb, Free*Land, Cemeteries and tomandandy. At the more abstract end of the continuum, i’ve included a range of more free-form electronics from the likes of Ulrich SchnaussColin Andrew SheffieldNovellerTetraSaddleback (Richard Skelton), Brian EnoaTelecineThe Noisettes and Stray Ghost. There’s also a burst of Thomas Newman‘s luscious score for Less Than Zero and a gorgeously potent movement from perhaps Per Nørgård‘s greatest symphony (No. 6) towards the end of the mix. i’ve featured a small selection from my now vast collection of renditions of Gloomy Sunday – one of my favourite songs, about which i really ought to write a book sometime. In case it isn’t obvious, Venetian Snares and Tsukimono are reworking Billie Holliday’s classic recording, in both cases coming up with something wonderful, whereas DJ Phoenix reinterprets the song within a torrent of squelch, grime and bass. And the whole thing kicks off with a tantalising six-minute introduction from Marco Blauuw & Yannis Kyriakides.

So, a highly eclectic week condensed into three hours of music; here’s the tracklisting in full, together with links to buy the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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