[…] by the Bozzini Quartet. It wasn’t so very long ago, writing about another recent quartet, Hans Abrahamsen’s String Quartet No. 4, that i critiqued quite harshly music that stretched its modest quota of restricted material far, […]
Patrick
11 years ago
Couldn’t be more wrong about the Abrahamsen- it’s striking, subtle and beautifully conceived. Still, thanks for the recording!
[…] Rebecca Saunders has explored the implications arising from a complex variety of double trill (in Fletch, Ire & Still); now, she has added a fourth work, Solitude. The trill itself doesn’t […]
[…] by the Ardittis at the Huddersfield Contemporary Music Festival in recent years (my reviews are here and here). Fletch sounds as flighty and uncatchable as ever, the quartet articulating both […]
[…] on this occasion as i’ve written about it twice before, in an assessment of that disc and a review of the Arditti’s performance of the work at HCMF […]
[…] by the Bozzini Quartet. It wasn’t so very long ago, writing about another recent quartet, Hans Abrahamsen’s String Quartet No. 4, that i critiqued quite harshly music that stretched its modest quota of restricted material far, […]
Couldn’t be more wrong about the Abrahamsen- it’s striking, subtle and beautifully conceived. Still, thanks for the recording!
[…] Rebecca Saunders has explored the implications arising from a complex variety of double trill (in Fletch, Ire & Still); now, she has added a fourth work, Solitude. The trill itself doesn’t […]
[…] by the Ardittis at the Huddersfield Contemporary Music Festival in recent years (my reviews are here and here). Fletch sounds as flighty and uncatchable as ever, the quartet articulating both […]
[…] on this occasion as i’ve written about it twice before, in an assessment of that disc and a review of the Arditti’s performance of the work at HCMF […]