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Premières

  • Advent CalendarPremières

    Justė Janulytė – Unanime (World Première, first version)

    by 5:4 December 24, 2022 • 05:00
    December 24, 2022 • 05:00

    One of my personal highlights of this year’s Huddersfield Festival was the performance of Justė Janulytė‘s 2020 work for 8 trumpets, Unanime. Composed for Marco Blaauw’s Monochrome Project, the piece exists in two versions: the first, with a single climax, lasts 15 minutes; the second, with two climaxes (one muted,…

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  • Advent CalendarPremières

    Maurice Ravel (orch. Colin Matthews) – Oiseaux tristes (World Première)

    by 5:4 December 23, 2022 • 05:00
    December 23, 2022 • 05:00

    In last year’s Advent Calendar i featured an arrangement of one of Ravel’s piano works by Boulez; this year i’m exploring one by UK composer Colin Matthews. Ravel completed his five-movement piano suite Miroirs in 1905. He subsequently orchestrated two of the movements himself, Une barque sur l’océan and Alborada…

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  • Advent CalendarPremières

    Elizabeth Ogonek – Sleep & Unremembrance (World Première)

    by 5:4 December 22, 2022 • 05:00
    December 22, 2022 • 05:00

    For today’s Advent Calendar work i’m returning to one of the composers who stood out most prominently among the premières at last year’s Proms festival. Elizabeth Ogonek‘s Cloudline wasn’t just one of my own favourites, you evidently felt exactly the same way, as the work almost came top of the…

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  • Advent CalendarPremières

    Michael Finnissy – Polskie tańce ludowe (World Première)

    by 5:4 December 21, 2022 • 05:00
    December 21, 2022 • 05:00

    Michael Finnissy’s Polskie tańce ludowe (Polish folk dances) have had multiple lives. Their origins are in a volume of Polish folk music given to Finnissy as a child by his godfather, Peter Klos. Finnissy recently recalled to me that … he served with the Polish Airforce, he was not a…

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  • Advent CalendarPremières

    Linda Catlin Smith – Wilderness (European Première)

    by 5:4 December 20, 2022 • 05:00
    December 20, 2022 • 05:00

    Behind today’s Advent Calendar door is a beautiful, contemplative orchestral work by Canada-based composer Linda Catlin Smith. Wilderness was composed in 2005, and while it would be inaccurate to call it a work for violin and orchestra (still less a concerto), a solo violin has a role distinct from the…

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  • Advent CalendarPremières

    Francisco López – Untitled, Live at Cafe Oto (#2) (World Première)

    by 5:4 December 19, 2022 • 05:00
    December 19, 2022 • 05:00

    Francisco López‘s second live performance at Cafe Oto, in March 2015, makes a strong contrast to the first (featured earlier this month); where that had harnessed electronic elements largely devoid of referential qualities, this piece focuses on a juxtaposition of sounds that are clearly derived from (or intended to imitate)…

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  • Advent CalendarPremières

    Mica Levi – BOUND. 9 Minuets (World Première)

    by 5:4 December 17, 2022 • 05:00
    December 17, 2022 • 05:00

    Today’s work in the 5:4 Advent Calendar is a typically leftfield piece by British musician Mica Levi. Levi’s music encompasses the deep and the trivial, the profound and the nonsensical, sometimes simultaneously. Their work BOUND. 9 Minuets, for two small snare drums & ensemble, tends more towards the latter than…

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  • Advent CalendarPremières

    Anna Fišere – Radices (World Première)

    by 5:4 December 16, 2022 • 05:00
    December 16, 2022 • 05:00

    One of the more memorable works performed at the inaugural Baltic Music Days in 2020 was Mundus Invisibilis by Latvian composer Anna Fišere (formerly Ķirse). That piece was concerned with fungal mycelium, and her earlier work Radices for 8 singers and electronics, composed in 2018, is similarly rooted in the…

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  • Advent CalendarPremières

    Shiori Usui – Particles (World Première)

    by 5:4 December 15, 2022 • 05:00
    December 15, 2022 • 05:00

    Particles by Japanese composer Shiori Usui consists of four minutes of wild textural mayhem. The title suggests it’s all going to be about light, tiny impacts, and that is how the work begins. However, this opening chorus of skitterings is soon supplanted by the significant heft of what sound like…

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  • Advent CalendarPremières

    Britta Byström – Der Vogel der Nacht (World Première)

    by 5:4 December 13, 2022 • 05:00
    December 13, 2022 • 05:00

    The work i’m featuring today in my Advent Calendar is one that takes its starting point from one of my favourite pieces of music, Mahler’s Symphony No. 3. One of Mahler’s most epic symphonies, in the fourth movement the music turns inward, into a place of mystery, darkness, night and…

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  • Advent CalendarPremières

    Sasha Scott – Nerve (World Première)

    by 5:4 December 12, 2022 • 05:00
    December 12, 2022 • 05:00

    In 2019, Sasha Scott won the senior category of the BBC Young Composer of the Year, with an electroacoustic work titled Humans May Not Apply. The following year she composed a new work for the BBC Concert Orchestra, Nerve, though due to the pandemic its performance was delayed until August…

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  • Advent CalendarPremières

    Milton Babbitt – An Encore (European Première)

    by 5:4 December 11, 2022 • 05:00
    December 11, 2022 • 05:00

    There are some composers whose music i keep coming back to not out of love but with the attitude of a nutcracker, trying once again to break through its tough, tenacious surface. i don’t know Milton Babbitt‘s music well (as i admitted when noting his centenary a few years back),…

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  • Advent CalendarPremières

    Francisco López – Untitled, Live at Cafe Oto (#1) (World Première)

    by 5:4 December 9, 2022 • 05:00
    December 9, 2022 • 05:00

    Today’s Advent Calendar piece is the first of two live, untitled performances given by Spanish sound artist Francisco López at Cafe Oto in London in March 2015. The performances were originally presented in four channels, with members of the audience invited to wear eye masks in order to plunge themselves…

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  • Advent CalendarPremières

    Chaya Czernowin – On the Face of the Deep (UK Première)

    by 5:4 December 7, 2022 • 05:00
    December 7, 2022 • 05:00

    Though i don’t (any longer) have a religious bone in my body, i’m nonetheless drawn to the paintings of John Martin, particularly his vast, frenzied depictions of some of the more apocalyptic events described in the Bible. i find myself thinking of Martin’s paintings while listening to On the Face…

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  • Advent CalendarPremières

    Max de Wardener – Until my Blood is Pure (World Première)

    by 5:4 December 5, 2022 • 05:00
    December 5, 2022 • 05:00

    In last year’s Advent Calendar i featured an untitled piece by Max de Wardener from a live performance at the Southbank Centre in March 2014. On the same occasion he presented a new version of Until my Blood is Pure, originally included on his 2002 EP Stops. That version, for…

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  • Advent CalendarPremières

    Pierre Boulez (orch. Schöllhorn) – Notations Nos. 2, 10 & 11; La treizième (UK Première)

    by 5:4 December 4, 2022 • 05:00
    December 4, 2022 • 05:00

    Pierre Boulez composed his piano work Douze Notations in 1945. After its première in February of that year (by Yvette Grimaud), the piece was subsequently withdrawn by Boulez (evidently already regarding it as outdated), who only relented and allowed it to be published in the mid-1980s. Despite this, in 1946…

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  • Advent CalendarPremières

    Elaine Agnew – Hold (World Première)

    by 5:4 December 3, 2022 • 05:00
    December 3, 2022 • 05:00

    Today’s Advent Calendar piece is an example of what may well prove to be a substantial body of work that we might call ‘Covid music’, composed during the pandemic. Hold, by Northern Irish composer Elaine Agnew, is a short work for string orchestra responding to the experience of lockdown in…

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  • Advent CalendarPremières

    Galina Grigorjeva – Molitva (World Première, theremin & strings version)

    by 5:4 December 2, 2022 • 05:00
    December 2, 2022 • 05:00

    Today marks the 60th birthday of Ukraine-born, Estonia-based composer Galina Grigorjeva. Her music over the last decade or so has progressively moved more closely in both character and ideology to that of Arvo Pärt, rooted in musical simplicity, articulating aspects of Orthodox religious belief. In the case of her 2005…

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  • FestivalsPremières

    HCMF 2022 (Part 2)

    by 5:4 December 1, 2022 • 15:24
    December 1, 2022 • 15:24

    This year’s composer in residence at HCMF, Lisa Streich, was represented by an appropriately large number of performances, allowing for a pretty deep dive into her musical thinking. If i say that a lot of what i heard of Streich’s music was more intriguing than immediately enjoyable, i need to…

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  • FestivalsPremières

    HCMF 2022 (Part 1)

    by 5:4 November 30, 2022 • 14:27
    November 30, 2022 • 14:27

    People doing interesting things to objects doesn’t necessarily create interesting music. Can we agree on that? i don’t think that’s a particularly outrageous thing to say, though there were a number of times during my six days at this year’s Huddersfield Contemporary Music Festival when i found myself wondering otherwise.…

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Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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5:4
  • About
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    • Composer Map
    • Albums and EPs reviewed on 5:4
    • Festivals reviewed on 5:4
    • Best Albums of the Years
    • The Proms premières – Poll results
  • The Dialogues
  • Mixtapes
    • Mixtapes
    • The Isolation Mixtapes
    • Mystery Mixtapes
    • Podcasts
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