[…] has been a good year for British group Duologue, and this EP (reviewed back in June) pointed the way towards what was to come later. A canny knack for playing with and rethinking […]
[…] which recounts in detail the stages of the Fulani story of the creation of the world. From my review: “Essentially a slice of drum-pumped electronica, Frempong’s rapid meandering through the […]
Chris L
1 year ago
…major and minor tonality are superimposed (such a simple use of dissonance but still more-or-less unheard of in music of this kind)…
Indeed! I’m always surprised that the use of a simple Picardy third in Gnarls Barkley’s Crazy isn’t (a) emulated more often in the Pop sphere and (b) commented on more often given that said song is (or certainly was) such a ubiquitous track.
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[…] has been a good year for British group Duologue, and this EP (reviewed back in June) pointed the way towards what was to come later. A canny knack for playing with and rethinking […]
[…] which recounts in detail the stages of the Fulani story of the creation of the world. From my review: “Essentially a slice of drum-pumped electronica, Frempong’s rapid meandering through the […]
Indeed! I’m always surprised that the use of a simple Picardy third in Gnarls Barkley’s Crazy isn’t (a) emulated more often in the Pop sphere and (b) commented on more often given that said song is (or certainly was) such a ubiquitous track.