CD/Digital releases

Two years have passed since the Iceland Symphony Orchestra’s previous series of albums, Recurrence, Concurrence, Occurrence, and their latest release, Atmospheriques Vol. I, is the start of a new series. As before, the orchestra is conducted by Daníel Bjarnasson, and the emphasis is again on Icelandic composers, though here they’re…

Reconfiguring the Landscape is the title of a new album of acousmatic works by Natasha Barrett, though in some respects, as presented here, it could just as well be titled Reconfiguring the Room. The five works on the album originate in site-specific projects, all of which sought in some way…

Even as i start to write this opening sentence i feel uncertain about exactly where this is going to lead. This is, i suppose, a provisional response to the latest release on the Neu label, Madrigal, featuring music by Catalan composer Joan Magrané. i’ve previously encountered Magrané’s work on just…

A composer i’ve been trying to get the measure of lately is Grażyna Bacewicz. Bacewicz died in 1969, but her output seems to be going through something of a rediscovery of late, with concert performances and new recordings now emerging with increasing regularity. It’s a generalisation, i know, but over…

It’s been interesting to compare and contrast three recent releases all of which feature drone at the core of their musical language. (The music is long, so i’m going to keep this quite short.) Drone music tends to operate in one of two ways: either by establishing a literal fundamental,…

For much of its life, Gérard Grisey‘s Mégalithes has languished in obscurity. A work for 15 brass instruments composed in 1969 when Grisey was 23, the work was essentially forgotten, perhaps due to a lack of interest on Grisey’s part (due to his subsequent focus on spectralism) and short memories…

i want to say a few words about Valentin Silvestrov‘s Requiem für Larissa, which was actually released last autumn, but has only recently found its way into my ears. Perhaps there’s never been a more apposite time for a Ukrainian Requiem. Composed in 1999, the piece is as deeply personal…

Today marks the 100th anniversary of the birth of György Ligeti, one of the 20th century’s most significant and consistently engaging composers. i’ve been spending time lately with three new releases that together present an excellent overview of Ligeti’s output, from the perspectives of his music for piano, choir and…

You would think, by now, i’d be getting the hang of this piece. Éliane Radigue‘s Occam Delta XV, conceived for the Bozzini Quartet, has crossed my path on a couple of occasions, first at its UK première in Huddersfield in 2018, a performance that i subsequently explored in more depth,…

i’m bringing my annual January exploration of free music to a close with an album that, as happens every year, should have appeared in my Best Albums of 2022 but i ended up listening to it just too late. That being said, when i first spent time with Encircle, by…

Today’s piece of freely-available music comes via Yugen Art, an online repository of sound art that in some respects resembles a netlabel but is more aloof, publishing things online with an absolute minimum of fuss or extraneous (or even pertinent) information. i’ve written about works from the Yugen Art archive…

Seaming To is an English singer and musician whose work seems to be the product of, to date, three distinct periods of activity. She was a guest vocalist on some singles in the early 2000s, followed by her own first EP, Soda Slow, in 2006. Then things went quiet until…

The next music i’m featuring in my series exploring interesting free music is another soundtrack, again very short, this time from television. It’s something of an oddity, partly because it was never a ‘release’ in the usual sense of the word (and isn’t really available any longer), partly because it’s…

i’ve written about the music of Danielle Johnson – aka Danz CM (previously aka Computer Magic) – on a number of occasions. Her usual output is analogue synth-laden bedroom pop – growing increasingly sophisticated over the years, featuring in my Best Albums of the Year in 2018 and 2021 –…

One of the musical acts i’m always hoping might get back together at some point is Ektoise, an Australian group who from 2010 to 2013 put out a series of albums and EPs that forged an experimental synthesis of rock, ambient, doomjazz and shoegaze without once missing a step. While…

To begin my usual January focus on interesting free music, i’m returning to the ephemeral world of netlabels. Rural Colours appeared in 2010 as a tangential off-shoot from parent label Hibernate, which had begun the previous year. What distinguished them both from other netlabels was the fact that their releases…

In 2018, when exploring the music of Rebecca Saunders in that year’s Lent Series, i made the following remark regarding recordings of her music: The fact that i’ve explored Rebecca Saunders’ recorded output over four articles suggests that she’s well represented by recordings of her work. But almost half of…

Nearly 40 years have passed since Spanish sound artist Francisco López‘s earliest releases. Whatever else has changed throughout those four decades of creativity, one thing has remained consistent: his use of the word ‘Untitled’ for his output. Not always, of course, but aside from a few exceptions, López’s output has…

Twentieth century music is at an interesting point in its history from the perspective of recordings. Contemporary music, for obvious reasons, is always the most under-represented, whereas works from the last hundred years are beginning to reach the stage where’s there’s a more meaningful range of recordings available. In the…

Concerts of contemporary music have a tendency to be obsessed with presenting premières, yet it’s all too common for those performances to be dazzling one-offs that are all too soon lost to oblivion. So there’s some serious kudos due to NMC for saving two such performances, both electroacoustic, both showcasing…