20th Century

Today marks the 100th anniversary of the birth of György Ligeti, one of the 20th century’s most significant and consistently engaging composers. i’ve been spending time lately with three new releases that together present an excellent overview of Ligeti’s output, from the perspectives of his music for piano, choir and…

110 years ago today, something extraordinary took place in Berlin. During the previous few years, the young Danish composer Rued Langgaard had been working on his first symphony. He began it in early 1908, at the age of 14, and completed it the following year, though he continued revising the…

Twentieth century music is at an interesting point in its history from the perspective of recordings. Contemporary music, for obvious reasons, is always the most under-represented, whereas works from the last hundred years are beginning to reach the stage where’s there’s a more meaningful range of recordings available. In the…

While the answer to the question, “What is it good for?” continues to be “Absolutely nothing!” where war is concerned, there’s a tiny sliver of comfort to be gained from the fact that the ongoing outrage perpetrated by the Russian regime has thrown a spotlight onto aspects of Ukrainian culture…

Fractuur, released in 1997, occupies an interesting position in the output of British composer John Wall, coming at a pivotal point in his approach to working with sound. On Wall’s previous album Alterstill, released two years earlier, he had created five ambitious sound sculptures, playfully constructed from samples plundered from…

A long-standing interest of mine is exploring symphonies by composers i’ve never heard of. Apropos: Tālivaldis Ķeniņš, who until relatively recently i didn’t know was one of Latvia’s foremost 20th century composers. However, Ķeniņš was arguably as much Canadian as Latvian; after Russia re-occupied Latvia during World War II, Ķeniņš…

i’m really not a conductor fanboy. Composers are always getting me excited; performers too, from time to time; but conductors, in general, not so much. There are some special cases: Bernard Haitink and Riccardo Chailly have both stunned me on countless occasions; i’ve always had a lot of time for…

Today’s Advent Calendar work is one of Webernesque miniature proportions. Composed in 1976, Howard Skempton‘s One for the Road for solo accordion is a typically strange piece, full of paradoxes. In a not dissimilar way to a more recent work like Oculus, Skempton’s material is obsessive, cycling around a single…

This week i’ve been spending time with a couple of new albums that could each be described as being “devotional”. By that i don’t simply mean ‘religious’, although both of them are fundamentally informed by that attitude, one explicitly, the other implicitly. Listening to them has been a thought-provoking experience,…

It must have been a strange experience for anyone smitten by the music of Krzysztof Penderecki during the 1960s and early 1970s, falling in love with the bold, abrasive, raw abstract shapes and sound forms unleashed in works such as Emanations (1959), Threnody to the Victims of Hiroshima (1960), St…

It’s often felt a bit strange for me that the composer about whose music i’m the most passionate, whose music occupies the largest percentage of my music collection, and whose music i’ve analysed and studied in more depth and therefore know more about than any other composer, is someone i…

It would be disingenuous to downplay just how laugh out loud funny is so much of John Oswald’s music. And this is surely one of the main reasons why he has fallen foul of the more simple-minded legal “brains” in the pop industry, since a casual encounter with his later…

To return to the theme of reissues that i was exploring recently, another composer whose work has hitherto been languishing relatively unheard is the Canadian John Oswald. i first encountered his music around 25 years ago, at a Birmingham Symphony Hall concert where the Kronos Quartet included his astonishing electroacoustic…

The most fascinating – and the most extensive – campaign of reissuing earlier work that i’ve ever encountered is by US artist Matt Waldron, better known as irr. app. (ext.). His earliest releases date from the late 1990s, a time when Waldron’s access to and capabilities with technology were apparently…

Another composer who has been polishing off, smartening up and reissuing old works recently is Canadian Paul Dolden. It always surprises me how underappreciated and even unknown Dolden’s music continues to be, particularly as it’s among the most extreme stuff i’ve ever encountered (and, for good or ill, people love…

A few months back i wrote about about the appearance of various releases by The Hafler Trio on Bandcamp, which quite apart from being highly unexpected (hitherto Andrew M. McKenzie had seemed opposed to his output being released in a digital format) is a very good thing indeed, since most…