[…] the latter receiving its first UK performance. i’ve written about String Quartet No. 3 in the last few days in connection with its CD release on the Wandelweiser label, and it was interesting to hear how […]
[…] marks a major line of divergence in live performance from how they come across in recordings. In my recent CD review, i described the hesitance in Fragile Balance as seeming “not based on caution so much as […]
[…] arrived in Huddersfield just in time to hear the Quatuor Bozzini play Jürg Frey’s second and third string quartets. Both nearly half-an-hour long, the second quartet was composed over the turn of the century, the […]
[…] think of it as an austere, stripped down version of the rich folk luxury of Fovea Hex (and, as i mentioned when reviewing the CD of this piece, Schuppe’s voice bears a striking resemblance to Clodagh […]
[…] that are encapsulated in so many Wandelweiser compositions is something to celebrate. In a previous article, i spoke of this music as being the product of an “ecosystem of faith”, in which […]
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[…] the latter receiving its first UK performance. i’ve written about String Quartet No. 3 in the last few days in connection with its CD release on the Wandelweiser label, and it was interesting to hear how […]
[…] marks a major line of divergence in live performance from how they come across in recordings. In my recent CD review, i described the hesitance in Fragile Balance as seeming “not based on caution so much as […]
[…] arrived in Huddersfield just in time to hear the Quatuor Bozzini play Jürg Frey’s second and third string quartets. Both nearly half-an-hour long, the second quartet was composed over the turn of the century, the […]
[…] think of it as an austere, stripped down version of the rich folk luxury of Fovea Hex (and, as i mentioned when reviewing the CD of this piece, Schuppe’s voice bears a striking resemblance to Clodagh […]
[…] that are encapsulated in so many Wandelweiser compositions is something to celebrate. In a previous article, i spoke of this music as being the product of an “ecosystem of faith”, in which […]