The Start of an Era: Bristol New Music 2014

by 5:4

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Tim

The musikFabrik-built Harry Partch instruments throw up an interesting conundrum. I recall when the HP originals came over to London in about 1999 (?); there was much made then of 1) their fragility (presumably true) and 2) their irreplaceability (an assertion that played into the hands of their curators, but which now appears untrue). Not for the first time, there’s a knotty story about ownership and legacy to be told, I think.

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