…major and minor tonality are superimposed (such a simple use of dissonance but still more-or-less unheard of in music of this kind)…
Indeed! I’m always surprised that the use of a simple Picardy third in Gnarls Barkley’s Crazy isn’t (a) emulated more often in the Pop sphere and (b) commented on more often given that said song is (or certainly was) such a ubiquitous track.
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Indeed! I’m always surprised that the use of a simple Picardy third in Gnarls Barkley’s Crazy isn’t (a) emulated more often in the Pop sphere and (b) commented on more often given that said song is (or certainly was) such a ubiquitous track.